Trishna

Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.

November 1963, London. An East End slum landlord with a reputation for protecting the morally abhorrent is assigned the unenviable task of chaperoning a vision-plagued Catholic Nun to her mission in Paris.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.

Soon after a country singer moves in with her band's new manager, he's found slain and she's a suspect.

Set in the meditative quietude of a Himalayan village, Tathagat is a poetically shot tale of guilt. Following the journey of a monk questioning his renunciation, this philosophical drama takes a thought-provoking look at the relationship between our childhood memories and adulthood perplexities.

Rita, a 13 year old girl, runs away from her abusive father to the big city. She finds solace until she's placed in a safe house run by the State. Rita and her cellmates plots an escape that ends in a shocking act of violence.

A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.

The film depicts the lives of Guangdong peasants who have gone through the suffering of the Sino-Japanese War only to experience home-grown oppression by a rapacious landlord in their village.

A young female escapes her past and absconds to England in search of a new life. She takes a job caring for a tetraplegic, but burden of the job stirs up her past. It seems the limits of caring are not always as clear as they should be.

In the peaceful hamlet of Dzuluk, a man is about to return to his wife of thirty four years, a marriage they have sustained mostly through letters.

When Sophia leaves her violent husband, new problems arise as she regains fortitude and her daughter struggles with adolescence.

A father reminisces about his childhood when he and his younger brother moved to a new town with their mother, her new husband and their dog, Shane. When the younger brother is subjected to physical abuse at the hands of their brutal stepfather, Mike decides to convert their toy trolley, the "Radio Flyer", into a plane to fly him to safety.

Mr. Bhalla (Anupam Kher), a hyper-vibrant Punjabi lives in US along with his wife, daughter and nephew Aman (Anubhav Anand). Aman is in love with Neha (Nandana Sen), daughter of Mr. Patel (Boman Irani), a conventional Gujarati. Although the two are in love, their families have huge differences due to drastically different lifestyles. In the end, it's up to Aman and Neha to not only bring their families together but to live up to their expectations.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.

Bunty and Babli are two young people who randomly meet each other after running away from their homes to chase their dream. After facing hurdles in their path they decide to take up conning and soon become the best con artists in the country. However, their success is threatened as a relentless cop is on their trail.