The Table Is Set

An aging piano player looks back on his life.

An introverted man creates a pillow friend in his hotel room to ease his loneliness but this new friendship is short-lived when the maid makes the bedding again and again.

The Mailman decides to stop another deluge of letters by answering questions about the Easter Bunny: Sunny, a baby rabbit found and adopted by Kidville (a town of only kids--even a kid mailman). And when Sunny goes delivering eggs to the nearby town (which he has to dye to fool Gadzooks, the mean bear on the mountain), he discovers that there are no kids in the town, and that the rightful (kid) ruler is being suppressed by his aunt. But the young king likes Sunny's dyed eggs and jelly beans. So Kidsville, with the help of an old train engine, makes a few plans (and a decoy chocolate rabbit) to distribute them.

It's business as usual for the mutant denizens of a dystopia not entirely unlike our own in this beguiling stop-motion fantasia.

A daily gif created over 100 days.

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.

John's first independent work from 1989. Won Best of Fest Shorts at the Cinequest Film Festival, CA. The film is comprised of highly rendered drawings with very little moving parts to tell a complex story of relationships "gone to the birds".

Dad irons. Child tidies up. Mum breathes out.

SEALAND

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

An ode to the melancholy of machines.

After the death of his friend Begbie, Palomar decides to go to the City, a bizarre and intimidating metropolis, whose citizens have abolished sleeping and the law of gravity. To get there, the man waits for a bus that never comes, falling into a restless and suffocating wait.

In a cold, repulsive and chaotic world a man is searching for true happiness, hoping that the simple things can transform into something blissful. But his attempts leave him in an abyss of loneliness and poverty.

A climate change horror story.

Three women contemplate their relationship with convicted serial killer Richard Ramirez.

The end of evolution awaits us in a wasteland dominated by bizarre trash formations, dust and rock. From the scattered remains of a long forgotten culture an electric ecosystem rapidly evolves into the ultimate form of existence.

An old cosmonaut now lives his life in his flat, the same way as he lived it in a space station. He still does heroic missions, and misses his close relatives. His relatives see it differently. Is this old man capable of dealing with society's norms?

Educational film for a campaign against wife battering in 1985 in The Netherlands.

A man is confronted with the change of his day-to-day life following the landing of a sheep on the roof of the house opposite.

A child will over come the odds to achieve her dream.