#mattersoffact

Timid 14-year old 'Baduday' develops a crush on the new guy in their neighborhood, but he only sees her as a child. With only her best friend’s lip tint and a whole lot of imagination at her disposal, Baduday journeys on a rocky road of self-exploration and learns the awkward truths of girlhood along the way.

Basuki (22) is a fresh graduate with a Javanese accent from Semarang who has migrated to the metropolitan city. Through online video conversation, he tries to improve his Indonesian Language for a job interview.

Pruthvi's life leads into a situation where his personal life along with his dearest friend is disturbed and due to unavoidable circumstances Pruthvi has to address the biggest social menace happening in the current metropolitan lives.

O child, I know it can be bad. O child, sometimes you're be sad. O child, it can be true. O child, sometimes it can be all new. Here comes the sun.

Manželčatá

A truck driver travels the roads as if going through his memories.

In the city of Philadelphia, the drug trade is lucrative and the only way top is from the bottom up. Sex, Drugs, and Murder are the rules to the game but morality may be the winning hand.

Moment kritického zaťaženia

Amidst the forest of Trường Sơn mountains, Thảo and four other girls are assigned to guard a major supply depot on the Ho Chi Minh Trail. As the war progresses and their health deteriorates, the girls begin to suffer from hysteric episodes where they become manic and laugh uncontrollably.

Iwatobi and Samezuka teams decide to participate in a watergun survival game across the campus

A friend invites Alex to a sleepover, he smokes a joint and becomes reflexive. Does she have further intentions?

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

In Tokyo, a girl and her boyfriend spend a night talking about their life, their precarious condition and their difficulties to earn a living, their place in the world, if ever they have one...

Adapted from the novel Die Döppelgänger by Theodor Storm, this black-and-white drama tells the tragic story of a war veteran who, in 1860, returns to his home in Schleswig Holstein after serving a term for robbery. There he finds nothing but hardship and rejection, save from the town's mayor and a young servant girl, whom he marries. Ridiculed and abused, with practically no work, he turns to drink and one night accidentally kills his wife. The child of their marriage is taken away from him, and at this point he is left with the options of becoming a robber, starving to death, or emigrating.

The spear signifies political power, the arrow personal ambition. What happens when the two collide?

Antonio and Bertha are an elderly couple, about 90 years old who find themselves in trouble when social security pensions are suspended due to a financial and social crisis in the country where they live. Given the fact that their children have not visited them in many years they are confronted with the need to survive alone. The couple is forced to sell their belongings and sustain themselves selling food on the street orstealing. The lives of the two elderly people change when their son Jonas and grandson Paco, absent from their lives for over a decade, appear unexpectedly once again.

Manuela (40) is the cook in a restaurant when the Balkan conflict breaks out on the other side of the world. The madness of war permeates her surroundings, invades her intimacy and unleashes its own warlike escalade.

TV MX, the most powerful Mexican Television Corporation, discloses a scandalous story involving Governor Carmelo Vargas in serious crimes and illicit business. Governor Vargas worried about his political future, decides to clean his image and negotiates a billionaire secret agreement with the owners of the TV Corporation. Carlos Rojo, an ambitious young news producer, and Ricardo Diaz, TV network star reporter, are responsible for making a dirty campaign to change the image the public has of the corrupt Governor and make him, at any cost, a political star and a great presidential candidate. Mexican Television believes that democracy is a farce and has already placed one President... Will they do it again?

Bronek Pekosinski lives in Zamosc, Poland. He is probably 83 years old. He has no family and does not really know who he is. Everything about his life is fictitious: symbolic is the date of birth - the day World War II broke out, as well as his surname - after PKOS, an abbreviation of a charitable institution, and the place of birth - the Nazi concentration camp, from where his mother threw him over a barbed wire fence. Even his friends and guardians turned out to be false. Only his loneliness and his hump seem to be authentic. Two great powers have vied for young Bronek's soul: Roman-Catholic church and a totalitarian state. He fell into alcoholism. Partially paralyzed as the effect of cerebral hemorrhage, he is fired with an ambition of acquiring a mastery in a game of chess.

Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.