2020: A LIFE IN LOCKDOWN

A 69 year old man sits alone on his last birthday and listens to the past. KRAPPS LAST TAPE is an extraordinary study of mortality, creativity and memory.

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

A documentary crew films a young man, whose eyebrow started thinning a year ago, trying to reflect on everything in his life as he is having traumatic day to day experiences in which he is a victim of social exclusion.

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

As Mio goes on a journey to Loveland to find closure, an incident occurs, giving him new hope for his heart to shine again. A story about the importance of loving and coping, of hearts connecting and separating.

Beautiful young manicurist Carole suffers from androphobia (the pathological fear of interaction with men). When her sister and roommate, Helen, leaves their London flat to go on an Italian holiday with her married boyfriend, Carole withdraws into her apartment. She begins to experience frightful hallucinations, her fear gradually mutating into madness.

As news of the coronavirus broke around the globe, a small group of scientists jumped into action to tackle one of the greatest medical challenges of our time: to create a vaccine against a virus no one had ever seen before, and to do so in record time, during a deadly, global pandemic.

Robinson Crusoe flees Britain on a ship after killing his friend over the love of Mary. A fierce ocean storm wrecks his ship and leaves him stranded by himself on an uncharted island. Left to fend for himself, Crusoe seeks out a tentative survival on the island, until he meets Friday, a tribesman whom he saves from being sacrificed. Initially, Crusoe is thrilled to finally have a friend, but he has to defend himself against the tribe who uses the island to sacrifice tribesman to their gods. During time their relationship changes from master-slave to a mutual respected friendship despite their difference in culture and religion.

In the midst of the COVID-19 pandemic, 3 fearful families are united by a small act of hope. In addition to the viral pandemic, we are also faced with another threat, an Epidemic of Fear. It seems more people than ever right now are alone, scared, anxious, and consumed in fear. We need hope. We need storytelling that will remind people that even in the darkest hour, we can and will get through this, together. There is hope. There is love. And even if at a distance, we have each other.

Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.

L'arche des canopées

Alexandre Barrett brings dozens of comedians together to talk about COVID-19 in a way where absolutely anything goes! This special event offers a moment of unifying entertainment that takes the coronavirus by storm and talks about its many impacts on our everyday lives in a humorous way.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

When did the pineapple cans expire? And what expired with them?

Belarus, Vileika district of Minsk region. Lonely elderly people are leaving for winter to the home of seasonal residence. Each of them carries their own experience and beliefs, but they will have to stay the winter together. The days pass in sicknesses, conversations, watching TV... In mid-winter, there appears a new resident of the house, and the life inside changes.

Trey feels small. He is gay, HIV-positive and lonely in NYC. All around him are hulking, powerful men, intimidating and challenging him everywhere he looks. Throughout his day, he obsesses over how to get BIG - and his insecurities keep him trapped in a cycle of trauma and abuse.

More than 300 fans from 9 different countries joined together to remake Back to the Future Part II during the COVID-19 quarantine. The film was split into 88 scenes with 88 teams producing their segment using available resources all while obeying local social distancing guidelines. The result is an absurdly fun, wild ride that sees everything from pro-level live action to killer animation to... bananas and potatoes used to bring Back to the Future Part II to life all over again.

Edgar and his dog roam the ruins of a large city. Arriving home one day, he sees that someone sprayed the name ‘Anna’ on the wall. The question who Anna is starts to dominate Edgar’s entire existence.

Pierre Sanoussi-Bliss's two-minute submission to rbb.

Viktoria Klebe's two-minute submission to rbb.