The Black Contribution – Literature and Theater 1978 is a rare documentary highlighting the voices and cultural impact of African American writers and performers during the civil rights era. Introduced by NAACP leader Benjamin Hooks and narrated by Roscoe Lee Brown, the film weaves together dramatic readings, theatrical excerpts, and candid urban street footage. Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. With rare shots of Harlem life, literature, and performance, this film documents the enduring contributions of African American artists to U.S. culture and history.
Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.
Shipyard is a landmark documentary covering the creation and life of Bellingham, Washington's wooden boat shipyard, which was built in response to the Axis threat of WWII, it's continued growth through the '50's and '60's, as well as it's innovative role in the development and production of fiberglass boats, including patrol riverboats for the Vietnam war.
New York Solo Andata tells the story of the American Dream from the first Italian migratory flows to nowadays through the voices of all those who truly believed and fulfilled it with determination. Davide Ippolito leaves Italy to meet Italians and important personalities living in New York to tell the most unusual aspects of the city to remind "if you can dream it, you can do it."
A look at the community surrounding Nintendo's New York store in the month leading up to the launch of the Nintendo Switch in 2017.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?
We met in first grade in Ms. Locklear’s class. During the summer of 2006, we decided to search for our beloved teacher. We chose not to use the internet or the telephone, but instead to rely on face-to-face contact with people. Looking for Ms. Locklear is a documentary chronicling our search, which led us far from home and into the company of a host of characters.
Dean Johnson, drag queen, rock star, LGBTQI activist, junkie, genius, escort then John Doe. How does someone so famous in New York die as an unknown in DC? This documentary explores the incredible highs and the crushing lows of Dean Johnson’s life and untimely death. Was it murder? Was it an accident? We may never know, but what is certain is that Dean and “the Big Johnson” changed New York City and all who knew him forever.
Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
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Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)
Documentary on the pickup basketball community surrounding Albany's Washington Park aka the Graveyard.
With the departure of the Bush Administration and the arrival of an “era of transparency,” opportunities are arising for the disclosure of new information that may shed more light on the events that took place before and after 9/11/2001. Loaded with powerful, new footage and in-depth interviews this documentary presents a wide array of evidence both known and unknown…until now.
In this special documentary that inspired a two-season television series, scientists and other experts speculate about what the Earth, animal life, and plant life might be like if, suddenly, humanity no longer existed, as well as the effect humanity's disappearance might have on the artificial aspects of civilization.
Loose Change Final Cut is the third installment of the documentary that asks the tough questions about the 9/11 attacks and related events. This movie hopes to be the catalyst for a new independent investigation, in which the family members receive answers to their questions, and the TRUE PERPETRATORS of this horrendous crime are PROSECUTED and PUNISHED.
Set in New York City, the epicenter of a phenomenon cropping up in communities across the United States, "Nursery University" reveals the oddly competitive process of nursery school admissions. The film tells the story of five families attempting to place their toddlers in preschool classrooms that have limited space and high price tags.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.