Sandy: Manuscrito - Ao Vivo

When art collector, Anton Remianiuk, and a literature graduate, Ana Morel, seek to recover a lost manuscript, they are confronted with the dangerous secrets of Paraguay and its dark silent past.

A dramatic minute-by-minute account of the superstorm that brought New York State to its knees. Using satellite imagery, CGI mapping and the powerful personal testimony of those who lived through it, this is a forensic analysis of the meteorological, engineering and human devastation wreaked by Sandy.

Set in 1952, this musical thriller is what happens when a traveling salesman shows up on the doorstep of a dying old man and can't contain the song within his heart. A dark riff on a classic musical.

A famous singer is conscripted and receives training from a barking veteran drill sergeant.

A vibrant portrait of Aretha Franklin, the queen of soul, who has become a symbol of freedom and power for all African American women.

Following the runaway success of Cavalleria rusticana in 1890 at the age of 27, Mascagni did not rest on his laurels. In just a few years, he completed five operas, including Iris, premiered at the Teatro Costanzi in Rome in 1898. Mascagni might well have taken for his own Puccini's famous quip, “Against everything and everyone, make a work from melody”. And in Iris it is melodic invention which shows the composer's genius at its greatest. A melody by Mascagni is usually long, smooth and Italian-sounding; and Iris is full-on melody all the way, particularly in such crowd-pleasers as Jor's Serenade, the “Hymn of the Sun” or the duet in Act II “Oh come al tuo sottile corpo s'aggira”, which includes the famous “Piovra”. Furtheremore, with a little effort listeners can identify what would be the various musical “numbers”. In Iris, Mascagni is almost obsessively attentive to recitative and his exemplary flexibility at times recalls the sublime "conversation style" "invented" by Puccini.

Juan Diego Flórez dazzled audiences and critics alike when he played the virtuoso role of Orphée in La Scala’s first ever staging of Gluck’s opera in its French version: “Juan Diego Flórez delivered a lesson in style. His tone is darker and his projection more self-effacing than in the past, but class is permanent. His agility and legato are utterly thrilling. The ovations were never-ending.” (Corriere della sera) The present release is a production by Royal Opera House, Covent Garden, London Recorded live at Teatro alla Scala, Milan, March 2018. Gluck’s Orpheo ed Euridice was first performed in 1762. It is the first of Gluck’s “reform” operas, in which he attempted to replace the abstruse plots and overly complex music of opera sera with a “noble simplicity” in both the music and the drama. The present production was staged by Hofesh Shechter and John Fulljames.

Giacomo Meyerbeer - Les Huguenots (Die Hugenotten)

Maestro follows Grammy award-winning conductor Paavo Järvi and an array of brilliant musicians as they perform to sold-out music halls across the world.

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

A series of circus acts (fast, furious and funny gags) leads to the trapeze act and the sing-a-long begins with "The Man On The Trapeze".

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.

The world famous Coney Island in New York City, which got it's start in the 1840's is here included in Famous Studios, "Screen Song" series. The featured song is, By the Beautiful Sea, written in 1914, and is of the "follow the bouncing ball" variety. The song follows the slight story of animal characters(among them an elephant and mouse playing catch with a medicine ball)having fun at the beach.

First documentary about the Czech hip hop scene shows how close the Czech rap can come to humour and irony. Three protagonists of the film, James Cole, Hugo Toxxx and Orion appear in situations where they are confronted with a professor of linguistics, children of a Romany quarter, a strict birth registry clerk, classical music trio, a statute of national revival hero Josef Jungmann, and the chanson singer Hana Hegerova, with whom they have a chance to sing the national anthem: "mimino mi mele nohu máma mele maso a máma mele sele kde domov můj?"

An animated short about Texas. Includes a sing-a-long of "Deep in the Heart of Texas."

At the zoo, the animals have all gone to play baseball. Animals fill the stands as they watch the antics that can only come about from exotic animals who play baseball.

Stage registration of the theatre program by Theatre Rotterdam. Snorro, the masked avenger, takes on the dastardly regime of El Commandante. Meanwhile, a bounty hunter has arrived in the village of Burrito, where Don Jose lives; waiting on a marriage he doesn't want and coping with identity issues.

Cecil Hepworth’s Vivaphone film features Hay Plumb singing George Robins’ optimistic 1906 ditty concerning the mischievous responses of a poor family to regular visits from the bailiffs.

Kuumat kundit

The Sensual Nature of Sound portrays four New York based composers and performers in terms of their musical lives and artistic passion. Though Laurie Anderson, Tania Leon, Meredith Monk and Pauline Oliveros are all pioneers in American music, each composer pursues a distinct direction of her own. Their rehearsals and performances show a common pursuit of lyrical storytelling through which a new set of contemporary narratives has been forged. Through body, sound, movement and composition, these women have forged their own path through the wild world of modern music.