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A short documentary on how people view art and its value in today's society.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

A documentary that threads on the hidden conundrums in the deaf world. Within the deaf and the hearing world is a fine line - so what's it like to live within as an in-betweener?

A portrait of 14-year-old Wen Bin and a Sri Lankan monk. They walk different landscapes of their residences - a temple, a home, a body.

Two instants separated by 99 days conflict with each other.

Roma, and Britain. Following the application of new draconian laws, Documentarian Jacob Parvin seeks to uncover the beautiful culture and misguided stigma,a synonymous with Gypsy Blood. Jacob grapples with their own identity as a Gypsy and relationship with their grandmother, for what identity do Travellers hold in a modern world?

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The Faces of Parkinson shows the people who suffer from Parkinson's disease and the impact it made on their life and people around and close to them. As it also asks the question how one continues to stay positive with such a destructive disease.

Vianočný dar

With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.

Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.

Janka Vidová made this video while studying in the New Media Studio of Michael Bielický. The artist borrowed an analogue video camera from the studio and filmed her visit to the region of her hometown in Slovakia. Using visual effects and instrumental music, she edited the resulting footage into a poetic film that captures the dreamy atmosphere of the snowy countryside.

Do Chile za zatměním Slunce

From the ocean, a volcanic island rises into steamy mist. The black rock of the earth stands in sharp contrast to the billowing vapor that hovers and drifts above the surface. A narrator describes how the island’s first inhabitants sought to explain the violent eruption by attributing the devastation to the wrath of angry gods. With breathtaking black-and-white cinematography, this poetic exploration considers the human relationship to this volatile land, where residents live alongside the looming threat of eruption with reverence, fear, and awe. A collection of scenes where dark and light miraculously coexist illuminates both the physical and spiritual landscapes of this extraordinary place, where life endures the perils of the natural world.

Like at the New Year’s Eve, showers of colourful light cut through the darkness. While fireworks dissolve into nothing after a thunderous sound, shattered glass leaves material artifact. Sharp pieces then become a reminder of the real track that fireworks leave in the sky.

This film is an imprint on the film strip, an imprint in the mind just like a memory of my father’s garden where a child is playing; an imprint of the father on the garden as a reflection of his character; an imprint of the garden on the father; an imprint of him on a person. As if the seeds were falling from his beard, skin, or hair and become the garden, roots, sprouting and growing, just like a child.

The film poem about pesticides reflects on the return to the natural food chain, in which insect pest serve as food for the higher order. The harmonic cycle of life and death, the temple that is the wildflower field resounding with the inebriating sound of crickets chirping and wheat spikes rustling in the wind, is invaded by the human, the ultimate consumer with no natural predator.

Director Tereza Tara fell ill at the age of twenty-five. She captured her ten-year-long journey to recovery, which took her deep into the past and to the edge of the abyss, in the form of a personal and poetic video diary. With her weakened kidneys, she visited doctors, psychosomatic experts, and an alternative healer who urged her to surrender herself into the hands of God. Gradually, she began to see the condition of her dual organs as a reflection of her unbalanced relationship with her mother, her partner, and her own body. She finally understood that if she wanted to find a cure for her diseased kidneys and start living a better life, she needed to understand herself better first.

Childlike imagination, naive playfulness and an enchanted view of the world are at the centre of this poetic film. The child protagonists talk about their dreams, fantasies and experiences while touching on metaphysical questions of body and soul, life and death. Magic permeates every frame of this colourful collage.

Lucia "Pretty Beast" Krajčovič is a 34-year-old professional MMA fighter and mother of two children. Shortly after giving birth, she is determined to become a champion in both disciplines - sport and motherhood. With a baby in her arms, she is preparing for her next fight. Under the immense pressure of her two identities, exhausted from lack of sleep, she wrestles with a question to which she had a clear answer not long ago. How to be both Pretty and Beast and for how much longer?