Magical Maestro

The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).

The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."

While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.

After uncovering a degraded vinyl album in an abandoned home, three musicians attempt to reimagine one of its songs.

A story of love, war, and hardship in 13th-century Persia.

With the help of his Fairy Drag Mother, a young barista breaks out of the humdrum of his hipster coffee shop life to find the dress and the man of his dreams. Hopefully his nagging stepmother and savage stepsisters don't get in the way.

A short BravoFACT adaptation of the 2010 Stratford Shakespeare Festival play 'As You Like It'.

A 1919 Comedy short.

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

Two male, glowing creatures start a fight over trying to impress a female. Each one of them wants to win her over by giving a better light show than his competitor. They are on fire - until one gets burned.

The story of five young people's unique first experiences in New York City.

Meet Blanche Monroe aka The Evil Stepmother, an out-of-work daytime drama queen. When her stunning stepdaughter (Snow White) is discovered by a hotshot Hollywood agent, Blanche wreaks her revenge.

In honor of Leonard Bernstein’s 100th birthday, Tanglewood—the famed summer home of the Boston Symphony Orchestra—dedicated its entire 2018 season to the iconic composer, conductor, performer, educator and humanitarian. The festivities culminated on Bernstein’s centennial birthday on August 25, 2018, in a special celebrity-studded gala concert. Directed for the stage by James Darrah, The Bernstein Centennial Celebration at Tanglewood illuminates the breadth of Bernstein’s incredible life and career, which inspired generations of music lovers around the globe – from his talent as a composer to his generosity in mentoring other composers and musicians, his inimitable role as a driving musical force at Tanglewood for over 50 years and more.

On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

It’s 1994 and there’s no Internet. So 14-year-old Jack Hoffman sets off on a quest to find and retrieve a stash of gay porn from across town before anyone finds out.

Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.

Produced for Glass Eye Pix as part of their 2018 Creepy Christmas Film Festival, in which each short is inspired by a holiday-themed word. This film, the twenty-third in the series, is inspired by the word “elf.”

Aided by powers from a little red hat / A deplorable fellow named Kyle MaGatt / Goes hunting for Covid to save the economy / To become the hero Americans should see. / But will he succeed in this arduous task? / Or will he be forced to wear a mask?

The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).