The Moment of Truth

Two men share an odd friendship while they care for two women who are both in deep comas.

Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.

A sort of meta riff on Alexandre Dumas fils' novel The Lady of the Camellias (La Dame aux Camélias or Camille) here in Mexican melodrama form involving the doomed love of a bullfighter and a beautiful but ailing actress/courtesan.

In Mexico, a former bandit settles down and picks out a beautiful young dancer to be his wife. His younger brother also comes home after having spent years in the U.S., and falls in love with his brother's intended fiancé. Rather than cause problems, the younger brother goes to Mexico City to become a matador. While there, he gets word that the police, who have been hunting his brother, have finally captured him.

A San Francisco couple travels to France in search of Pablo Picasso.

Love in a Hot Climate (Spanish: Sangre y luces, French: Sang et lumières) is a 1954 Spanish-French drama film directed by Georges Rouquier and Ricardo Muñoz Suay. It was entered into the 1954 Cannes Film Festival.

Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.

In England, Don Pedro de Barrego meets Dolores Annesley, and he decides he must have her. Dolores, however, refuses to have anything to do with him. Later, when she visits Spain, she discovers he is a famous bullfighter.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

Follows the tale of a young woman’s sexual awakening and subsequent journey around the world in pursuit of her ideal lover. Encounters include an Arabian sheik and a Spanish bullfighter. Her friend and butler accompany her and help to arrange her couplings.

When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.

Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.

The bullfighter Marcial Lalanda financed and starred in this film about the rivalry between two bullfighters for the ill-fated love of the same woman. It features scenes of bullfights shot by Enrique Blanco using polychromatic film for the first time in Spain. Considered one of the greatest Spanish silent films.

Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.

Karen Harrison is a spoiled, rich, American predator who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter.

An American takes up bullfighting to impress the ladies but learns to respect the sport.

A matador must recover his courage after being gored in the ring.

Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.

A black and white silent movie, based on the Snow White fairy tale, that is set in a romantic version of 1920s Seville and centered on a female bullfighter.

The first documentary to tackle the aesthetic side of bullfighting in all its complexity and to do so with the expressiveness and plastic and conceptual refinement of director Albert Serra.