Knock, ou le triomphe de la médecine

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

Tailleur pour dames

Vatelin and his wife Lucienne love tender love. Rédillon, a friend of the couple, has been courting Lucienne for years. Pontagnac, notorious womanizer and friend of the husband, has only been courting her for a few hours ... And Vatelin is enjoying this unusual situation. Everything spoils when Maggy returns, a very old English mistress of Vatelin who blackmails her by suicide if he refuses an appointment ... Lucienne has always sworn that she would take a lover as soon as proved her husband's infidelity. Who will be elected, who will be the turkey?

Daivathinte Swantham Cleetus revolves around Cleetus (Mammootty), a dreaded long-haired rogue. He surprises the parish priest (Siddique) by his uncanny resemblance to Jesus Christ in looks and mannerisms. He is roped in by the priest for the role of Jesus Christ for a light and sound show for their upcoming festival. His real self comes to the fore during rehearsals. The fact that he is a goon is revealed, yet the priest decides to persist with him in the belief that the experience of performing the noble character will lead to his transformation. Things change in the life of Cleetus after that. Events that occurred in the life of Jesus Christ start occurring in the life of Cleetus too. What happens to Cleetus and the people surrounding him form the rest of the story.

Seisho Music Academy, Siegfeld Institute of Music, and Seiran General Art Institute are to put on a play as part of an exchange program between the three schools. With Yachiyo supervising Siegfeld, she and the five middle schoolers meet with Claudine, Futaba, and Suzu. The play they will be performing is Seisho's popular program "The Wartime of Farewells". As it had been previously revived with Kaoruko and Maya in the lead roles, Claudine and Futaba participate with an extraordinary resolve; meanwhile, Suzu gains a keen interest in Siegfeld's newborn raw gems. Following Regalia, each of them has taken a step forward as a Stage Girl, but Shiro alone remains without a reason to stand on stage. Shiro has been a servant of the Siegfeld family since childhood, and has lived her life solely for Stella's sake, giving everything up for her. However, her reason of being is shaken up once a camaraderie between Stella and Ryoko starts to develop after their revue.

Cyrano de Bergerac is in love with his young cousin, Roxane, but does not dare to confess his love to her. It must be said that Cyrano's prominent nasal appendage attracts him constant mockery, which often forces him to defend his honor with weapons. When Roxane reveals to him that she loves the handsome Christian, a cadet of Gascony like Cyrano, the latter undertakes to take him under his protection. But the young man is cruelly lacking in spirit. It is therefore Cyrano who writes love letters to Roxane in her name, in which he expresses the ardent flame he also feels for his cousin. He even helps Christian to marry his beloved in secret. It is only years later and after having been the victim of an attack that Cyrano, on the verge of death, will finally declare his passion for her.

"Love for Three Oranges" is the first play by Carlo Gozzi (December 13, 1720 - April 4, 1806). He wrote it in 1761. The play is based on a parody of the fairy tale "Love Against Three Oranges". It was originally written as canovaccio (the explanation of the content on which commedia dell'arte actors improvise the text), but later Gozzi also added some dialogue instructions and critical explanations.

Hibernatus

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

A man and a woman who loved each other find themselves in a cemetery. He is here to attend the funeral of his grandmother, she let herself be lured by this place without really knowing why. The man's parents, who have come to pour out their reproaches, gravitate around the lovers who desire each other and inevitably get closer. But what did they really experience? And do they still have something to live for?

Un point c'est tout !

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.

Jan Werich and Miroslav Horníček in the legendary play of the Liberated Theatre.

We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.

Orgon and his mother swear by Tartuffe, the self-styled devout who lives off them. The other members of the family, scandalized by the clergyman's hold over them, will do anything to expose his hypocrisy. Michel Bouquet plays an almost monstrous Tartuffe, whose only weakness lies in his feelings for Elmire.

Claudine, a florist in her fifties, has an appointment with Valentin, her best friend and confidant. She wants to tell him about the love she has felt for him for five years. But the young man is an eternal seducer. He does not seem to be on the same wavelength as her friend.

François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Isabela, a retired woman, floods her drug-addicted neighbor's apartment with her washing machine. A repairman must be called. The handyman arrives at the apartment, which does not look like the home of a lonely senior citizen, but rather like a clinic for deranged individuals... Isabella's neighbor is unable to fulfill his late wife's last wish, the flooded junkie hates pensioners, refugees, and the government, and Isabella is visited by her offended husband, who has been dead for years and complicates her life and the repair of the washing machine... During this bizarre visit, the illusion of one happy marriage falls apart, one old misunderstanding is cleared up, and several others arise. The second half features the short film Barcarole, also produced by Divadlo Verze.

A young Czech theater director has an ambition to adapt Eurypides' Phaedra. However, having affair with the actress, he puts his marriage at risk and the play turns to be a fiasco. Desperate, he tries to be the best possible father and husband. Not a perfect one.