A short segment of the feature film Melody Time, re-released as a separate entity five years afterwards.
Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.
Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.
Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.
Everybody needs some alone time to relax and wash up, but things go quite differently when you’re a Flora Colossi toddler.
Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A drawn man faces off against his mortal enemy: a 3D man.
Tauromaquia
Going Green
The plot of this Action/Romance short-film starts with the duel of Carl (Robot-Gladiator-Champion) and Space Jesus. Before the finishing blow could land, rescue comes in the form of a Techno-Angel, who turns out to be Carl’s long lost love. So he changes sides and goes head to head against Drill-Raptors, EggBeater-Scorpions and a mighty BBQ-Octopus.
Danju sets out to save his muse from an evil power determined to break his spirit once and for all. This film was created as an entry for Bricks In Motion's annual animation competition (BRAWL), and won 5th place out of 150+ entries.
Drift by Max Hattler sees the body as a metaphorical landscape. Eerie and sometimes too close for comfort the film manages to transform the familiar and mundane into something poetic and mysterious. A narrative grows out of what at first seems like nothing, but by the time the journey is over the viewer is left wanting more. What has happened is uncertain and maybe unimportant. The mood is at the heart of this piece. One part horror film and one part nature study certainly makes for a compelling mix.
The uneven gait of one soldier forces the entire army to conform to his unusual way of marching.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
'What would you be willing to do for them to love you? '
In Kei Oyama's grim Consultation Room, a medical diagnosis triggers a wave of traumatic fantasies, portrayed in greyish pencil drawings that waver as if left out for too long in the rain.
Virgil lives alone with his bully father and a mute bartender and he is being mocked by the two tough cowboys Eddie and Hank. Because of The Dark Butcher who has been terrorizing the local Indian tribe, the Indians see no other way, than bringing the dead to live by performing The Forbidden Rituals. When the Zombies suddenly attack the saloon, action begins and true characters are brought to daylight. And who is The Dark Butcher?