Thicket

Georg is an Austrian retiree whose mother witnessed the crash of an Allied B-17 near their home during World War II. When he takes up metal detecting to find the wreckage, a growing fascination leads him to embark on a heartfelt mission, not only to research the backgrounds of the American crewmembers who parachuted off the plane into enemy territory, but to locate their descendants, to bring them to his Austrian town on the 75th anniversary of the crash, to introduce them to the townspeople who helped their fathers, and to unite his town in remembrance. It’s a story of empathy, resilience, and the enduring power of human connection.

Dramatizes the case of a family in which the father respects and loves his wife and children, permitting each to develop as an individual, and contrasts this family with one where discord and hostility prevail.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

The film is a fragmented representation of an artist's experience at an art gallery where Wolfgang Lehmann, as a part of his masterclass, shows 2 of his films and in-between, a film by Kurt Kren.

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.

The film traces the figure of virgin and places her in an amorous encounter with pleasure and pain, body and mind, the historical and the lived. It presents wedding night as a liminal event and projects the liminality of the event onto a psychic landscape. Placed at the edge of time, the nuptial chamber in the film becomes the feminine place of contemplation. The film is a search for the shadowy, nocturnal and the oneiric.

Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.

In the following conversation, recorded remotely in 2020, filmmakers Martin Scorsese and Ari Aster discuss the mission, evolution, and ongoing work of The Film Foundation, the nonprofit organization dedicated to protecting and preserving motion-picture history that Scorsese established in 1990.

This short documentary follows Gabe Etchinelle as builds a mooseskin boat as a tribute to an earlier way of life, where the Shotah Dene people would use a mooseskin boats and transport their families and cargo down mountain rivers to trading settlements throughout the Northwest Territories.

Lost Theaters of Wichita has the inside story from those who were there. It’s a tale of two great entertainment palaces—one that barely survived and the other that came crashing down while still in its prime. The Miller could still be entertaining people to this day in a grand atmosphere unlike any other. But instead, a parking garage sits in that spot–a monument to history lost and a lesson for future generations to heed. Program includes additional segments on Wichita theater history not included in the documentary itself, and a question and answer session with some of the people interviewed in the film.

It’s the second semester of junior year for Pierce “Sparni” Sparnroft, a gifted jazz vibraphonist studying at Montclair State University in New Jersey. Sparni’s prospects on the vibes were rejuvenated by their new professor, the world-renowned Steve Nelson, and are to be showcased during a student-driven recital in May 2023. But all the while, Sparni must face a crisis within.

A special behind-the-scenes look at the making of the audiobook edition of "d'ILLUSION: The Houdini Musical" and how it did its part in helping keep theater and the arts alive during the COVID-19 pandemic.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

Fancy Pea is a Brazilian documentary produced, written and directed by Werner Schumann, in the year 1985, reporting facts about the life and work of the Brazilian writer, poet, translator and professor Paulo Leminski. The program was shown on TV in 1985 and 1989 (at the time of the death of the writer).

When does someone stop being a Stranger? In a world emerging from social lockdown, this documentary explores the way communication is changing. Seven participants give us their views on social interactions, before having a conversation with a Stranger. Will this change their perceptions?

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

Thea’s life is changed when she receives an unexpected call from her childhood ‘friend’, May. Memories of the past with May shake Thea out of the mundane and into the queer London landscape; although it doesn’t immediately welcome her with open arms. Except in the form of Mimi, a liberated and fellow queer femme, who shows Thea the unconditional love and friendship that queer community is built off. Inspired by a true story, this heartfelt short film celebrates the magic of queer femme friendship and love.

Jesus Christ spoke of signs that will announce the most catastrophic period in our planet's history: the seven years called the Tribulation!

The old bus "Tired Theodore" came into service in 1954 and operated for long periods along the line Lumparland - Mariehamn. One summer day a number of older people had gathered for a bus ride along the winding country roads in Lumparland, and to relive old memories. At the same time one of the locals, Putte Karlsson, took up a large project: rebuilding the old mill in Lumparby. The mill was owned by his grandfather, skipper and farmer in the village. Sawmills previously existed in many villages in Åland Islands but today they are no longer in use. It is a big challenge and many are skeptical that Putte will put everything to work.