Software Wars

REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.

The Code is a Finnish-made documentary about Linux, featuring some of the most influential people of the free software movement.

A first-hand look into the revolutionary rise of the “citizen investigative journalist” collective known as Bellingcat. Comprised of various distinct personalities from around the globe, Bellingcat is an online association of talented and dedicated truth-seekers utilizing advanced digital research techniques to upend the world of journalism. De facto leader Eliot and his fellow researchers give us exclusive access into their tight-knit world as they demonstrate the unlimited power of open source investigation. In cases ranging from the MH17 disaster to the hidden crimes of the Syrian regime, the group’s power and growing global influence is examined and explored.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

A documentary about the world of software and the software makers. How do people from outside the industry see it and what do people from inside the industry think about regular computer users?

The rise and fall of Commodore computers in the 70s and 80s as described by the people who created the companies and technologies.

Life on the edge in Silicon Valley - home of high tech, high anxiety, and high stakes. Take a revealing look at Netscape Communications engineers as they set out boldly and brazenly to save their company. A virtual panorama of human drama and techno-thrills, Code Rush puts you at the center of the high-intensity clash of science, engineering, and commerce.

Microsoft is generally considered the dinosaur of the digital age. However, the US Corporation is more powerful today than ever before. The power of its monopoly is nowhere more apparent than in Europe: from Finland to Portugal, from Ireland to Greece, the information technology of every state administration and its institutions (military, police, fiscal authorities etc.) is based on Microsoft programmes. Since digital systems are constantly expanding and increasing in importance, countries are becoming more and more dependent on this single company. This dependence causes continually rising costs and prevents technical progress in state authorities. It systematically undermines European procurement and competition laws, it leads inevitably to the company having an overwhelming political influence, while it exposes state IT systems along with citizens’ data to a high technical and political security risk. Is Europe’s digital sovereignty at stake?

Attractive Manhattanite Allison Jones has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

Dávid - a man living alone - one day receives an email. The email is about an unknown but also special software that is offered only for him, for free. Dávid's friend Oszkár tells him that the software is capable of rewriting reality, but also warns him to ignore the email, because it can be dangerous. Dávid doesn't listen to Oszkár, and downloads the software.

Menno is a computer programmer at The Resort, an enormous funhouse where people can live out their fantasies in virtual reality. Feeding their personal data into a software program called The System, head of security Felix Medina is setting up a big voting fraud, in order to win the presidential elections. His only concern is a group of terrorists, rebelling against his plans. As an ex-colleague of their leader, Menno is forced to help them.

God is a single parent and amateur programmer. He’s working on project ‘Earth’ but never seems to get a break from the kids. One day though, he finally gets a breakthrough.

Fueled by caffeine, a young woman runs through the bittersweet memories of her past relationship. All graphic content is CC-By Blender Studio.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.