Feature compilation of four Biffle and Shooster comedy shorts--"The Biffle Murder Case," "Imitation of Wife," "Schmo Boat" and "Bride of Finklestein"--plus five additional songs and sketches.
The film follows the history of a brooch after it is given as a present by a man to a woman in 1911.
Donald Hardwick (Dick Powell) is a stuffed-shirt, classical music professor. His family and small-town music college that he works are of equal mindset. When Don visits his black-sheep aunt in New York in order to find a buyer for his Rhapsody he is exposed to her shocking swing music crowd. His life begins to make dramatic changes after drinking a "lemonade" that turns out to be a Hurricane.
The American Beauty Association is about to hold its annual trade show in New York City and songwriter "Tiny" Lewis (Billy Gilbert) has just sold a song to Ina Ray Hutton ('Ina Ray Hutton'), the leader of an all-girl band headlining the show. Lewis shares an apartment with Bradley Miller ('Ross Hunter') and Michele (Fritz Feld), an artist, and Miller has just invented a non-staining lipstick called "Rosebud." Preparing to get a booth at the show, Miller is told by J. Webster Hackett (Alan Mowbray), a very devious "Cosmetics King,", intent on selling a big lipstick order to buyer Edgar Pomeroy (Thurston Hall), that it will cost him a $1000 to join the association and get a booth, which is about $999 more than Miller and his roomies have between them. But Miller's beauty-parlor girl friend, Janet Wilson ('Ann Savage'), meets factory-owner P. G. Grimble (Hugh Herbert), and money is soon no issue.
Monte Cristo
The show starts when Colloredo is named successor to the Prince-Archbishop of Salzburg. The new king is an austere authoritarian man which is insensitive to the music of Mozart and allergic to the enthusiasm and the impertinence of the character. For Mozart, Salzburg's life quickly becomes untenable. He was 20 when he decided to leave his hometown with his mother in search of a better future in a European capital. The journey of the composer will be made of failures and cruel disappointments. But at the end, Mozart will experience glory, love, rivalry before its ultimate fall and misery. He left his best work, the Requiem, unfinished.
In a bleak future, the inseparable Batman and Robin live in a remote trailer. As punk-rock reenactors, they realize that planet Earth has become too small for their perfection, genius and power, and decide to find their place in the galaxies.
A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!
Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.
A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.
Sophie, a young psychology major, finds herself kidnapped and thrown in a crazy wild battle royale game filled with musical serial killers, each of who have their own reason for killing. Now Sophie must do her best to survive the game and avoid being killed.
The Theater Equation is a 2016 live album and DVD/BluRay by Arjen Anthony Lucassen's progressive rock/metal rock opera project Ayreon. The Theater Equation consists of a live performance, with cast, choir and small orchestra, of the 2004 album The Human Equation. It marks the first time an Ayreon album was played live entirely, and the first Ayreon live release.
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.
Julia, a dedicated music student, gets involved in the growing feminist movement on her university campus – a group effort where women step up to bring attention to the widespread harassment and abuse suffered by many of their peers. Amid the excitement of protest marches, Julia joins her friends in dancing and singing, revisiting her own experiences of mistreatment. As she gathers the courage to share her story, she unexpectedly becomes a central figure in the movement-a role she didn't foresee, which forces her to address her identity as a survivor in a society that promises change but remains resistant to it.
Lewis and Clark blaze a trail to the western waters in this epic satire and spoof on American ego.
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.
Amalia and Georg work together at a modest Hungarian perfumerie, and have disliked each other from the very beginning. He thinks she's stuck up, and she thinks he's arrogant and mean. But each rapturously writes to a lonely hearts pen pal when the workday is done, and it doesn't take long for the audience to see that they're in love without realizing it. Originally live-streamed by BroadwayHD, then broadcast as an episode of the PBS series "Great Performances" (season 45, episode 3).
Hop on your flying carpet, because this musical parody retells the classic tale of Aladdin... from the villain's point of view! Long ago in a Magic Kingdom, one misunderstood Royal Vizier will go on a quest to save his city from its bumbling sultan, an invading prince, and the most notorious thief to ever live! With the help of the Kingdom's free-spirited, teenage Princess, the Vizier must find a magical lamp containing a wish-granting Djinn (who's really funny, by the way) and defeat the city's most-wanted criminal... Aladdin! This musical adventure celebrates and lovingly pokes fun at everyone's favorite series of hand-drawn, animated films.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.