Feminism Has No Borders

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

Contemporary Russia. Nadya gives up her dream of becoming a champion figure skater when she is hospitalized with an injury. But then she meets Sasha, a hockey player, who decides to teach her to believe in herself and her dream again.

Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.

Six roommates share a cramped four bedroom apartment. One moves out. Another moves in. In the process, the precarious balance of their routines is comically disrupted.

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

AKIN examines the tension between collective synchronicity and the hidden inner reality of the individual. One protagonist describes her overwhelming feelings, while three other figures appear as aesthetic mirrors of her inner states. In a world that demands perfection and smooth functioning, everyday life continues like a mechanical system even when the inside has long overflowed. The bodies increasingly come under pressure until the structure discharges in synchronous, yet faulty movements. The encounter with an antagonist opens a moment of silent perception and raises the question of whose emotions are actually at work in the space. AKIN reveals a raw, deeply human choreography between adaptation and authentic expression.

A cinematic journey that follows a young woman in search of authenticity and true connection. Set against the dramatic backdrop of the Swiss Alps - where the African and European tectonic plates once collided - she moves between memory and momentum, finding her own rhythm in the pursuit of her true self.

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.

"Prima" follows Margo, a dedicated prima ballerina raised by her disciplinarian and “guardian of the art” grandmother, who begins to unravel when the head of her ballet company marries a contemporary choreographer, disrupting the company’s tradition and igniting a quiet, atmospheric power struggle that threatens the very future of the institution. As events unfold, Margo begins to question if the choices made in life are really worth it in the end, a question so many face as difficult decisions can change your life forever.

Are we ever honest enough to be unaffected by lies? This is the question asked by Henrik Ibsen's drama Ghosts (Gengangere). Oswald Alving returns from a bohemian existence in Paris to small-town Norway. Encountering people who do not communicate, Oswald responds by becoming ironic and distant. He gradually learns more of the secrets that weigh on his family, as well as those inside himself. His mother, Mrs Alving, welcomes her much-missed son home - and slowly understands what, or whom, he has brought home with him. Together with the young, critically acclaimed choreographer Cina Espejord, she retells Ibsen's play as a ballet. The pair feel the story is suited to dance because both it's inner and outer brutality can be pitted against the power of dance. Ibsen's Ghosts is an evocative production in a modern dance style. Nils Petter Molvær has composed new music, which he performs on-stage together with Jan Bang.

Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.

Science-fiction dance film that looks into togetherness and loneliness. Covid-19 and the measurements taken because of it have changed our way of being together into a more digital, online and always connected manner.

When Russia invaded, the women of Ukraine's leading contemporary dance group struggled to find purpose in their work. A search for new forms of resistance ultimately led them back to dance.

A glimpse into the world and methodology of dancer Martha Graham.

A contemporary dance film by choreographer Talia Miharu inspired by Gustav Klimt's painting, "The Kiss", starring Kaben Benavides and Gabriel Tolmer.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

A woman battles against the constraints of a controlling patriarchal figure symbolised by a haunting mask. As she strives for freedom and dances to her own rhythm, the gripping visuals unfold a poignant tale of struggle and the inescapable influence of societal expectations.

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.