The Light

Shots are fired at a woman as she runs through the forest. At the same time, two brothers turn on to a forest road. Their paths will soon cross in a suspenseful film with supernatural elements - where nobody is what they seem to be.

"Candace Van Houten finds her Senate campaign at the center of controversy after an unexpected discovery, forcing her team to begin damage control."

A son, banished from his village for refusing to worship a false idol, bears witness to the brewing conflict beyond that may likely destroy civilisation itself.

When their ocean liner capsizes, a group of passengers struggle to survive and escape.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

Two troubled men face their terrible destinies and events of their past as they join together on a mission to find the Holy Grail and thus to save themselves.

In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Two very different brothers: Gregor (32) and Pietschi (30). Whereas one is reliable and committed, the other is spontaneous and aimless. Gregor is married and is a good doctor; Pietschi in contrast is something of a ladies’ man and a hedonist. According to tradition, the two see each other at least once a year for a weekend of sailing. But this year Pietschi drops out without leaving a message, and simply disappears. Gregor’s life goes on, but he is confused and searches everywhere for a sign of his brother’s whereabouts. The more Gregor realises how little he knows about his brother, the more he becomes fascinated by these things he doesn't know. And the longer Pietschi remains missing, the more obsessed Gregor becomes with his brother’s fading echo, even going so far as to try and slip into his brother’s life. But what happens when one of them suddenly disappears from the mirror image? Can the other continue to be the person they are. Or rather, were?

Zbawienie

Zoe and her younger brother deal with the remnants of a drunken evening at their family cottage. They must clean-up a catastrophic mess and attempt to piece together yesterday's events before their mother's return, and as the clean-up revives memories from last night, the sibling face the truth behind the chaos.

On the verge of a nervous breakdown, a school teacher finds the wisdom she needs in the most unlikeliest of places.

Set in a bespoke toy shop, Imanol Ortiz López’s new short film is skin-crawling nightmare fuel bathed in vintage Kodachrome transfixion, calculated to the microsecond, honed to haunt and mortify.

Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.

Maya has for several years stayed away from Sweden and lived a fluttering life in southeastern Asia. But when she finds out that the only person she still has contact with in Sweden is about to die, she must quickly find money for the ticket home. She finds out that she cannot trust anyone, because she herself has cheated everyone.

Toby is afraid of the dark. His mom tells him to close his eyes and count to ten, what happens next isn't exactly what she had in mind.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.

The evil Dr. Wong abducts prominent scientist Dr. Edwin Millstone. Bumbling bank guards Tom and Monte search through Chinatown to find Dr. Wong and rescue the professor.