Award Winning Documentary on the Life of Artist Robert Shields. “Robert Shields: My Life as a Robot” is a documentary that will make you believe that your actions can have an inspirational effect on so many lives - and you may not even be aware of it. An icon of the 70’s, Robert began his career doing his robot in front of the Hollywood Wax Museum and a few short years later had his own top rated Prime Time CBS Variety show with his beautiful wife Lorene called: “The Shields & Yarnell Show”. And along the way, unbeknownst to him, he created ripples that define an art form to this day. This film may not save the environment, it won’t take on a corrupt corporation nor will it make you write your congress person. What it will do is make you laugh, bring you wonder and joy and introduce you to a man who makes you believe that anything is possible… including (and don’t try this at home!) Street Skiing in downtown San Francisco!
Jeppy Bass is the story of a college student's struggles to make his thesis short film, entitled 'Damn Fine Cup'. After getting a behind-the-scenes look into the efforts taken to produce the film, we get a brief glimpse into the dark psyche of the filmmaker and perhaps the intentions behind the film.
Russian actor and pedagogue, Gennadi Bogdanov, presents the most important etudes and principles of Vsevolod Meyerhold's Biomechanics. Includes archival photographs and film of Meyerhold's original work and also recent scenic work from Europe and the U.S. developed on the principles of bio-mechanics.
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Bilingual film study from the Baylor Theatre in Texas. French mime Étienne Decroux is shown performing various routines, including man of sport (l'homme de sport), mobile statuary (la statuaire mobile), man of the drawing room (l'homme de salon) and illusionism (l'illusionnisme).
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
Mr Plastimime is a funny and moving story about a man who faithfully practices a dying art, a man whose timing is a bit off, a man whose skills aren’t recognized, a man who is unlucky in love; But this is a man who keeps moving forward, faithfully believing he will one day be finally ‘seen’. That day has come…but he never expected it to be like this.
Two morons think they can get rich quick by kidnapping and ransoming a "celebrity." Unfortunately, the only famous person they can find is a mime from the local park.
Melvin, a writer, refuses to acknowledge his old characters at a job interview, prompting these characters to manifest themselves to complain.
A satirical dramedy loosely inspired by the infamous UK Miners' strikes; however this time, the fight isn’t in the pits, but on the stage. With his beloved family trade targeted by a right-wing government with a long-standing hatred for the arts, a Mime performer desperately rallies the troops for a silent revolution, vowing to save the art form from facing the final curtain.
Malcolm Shanks is a sad and lonely man, deaf, mute and living with his cruel sister and her husband, who delight in making him miserable. His only pleasure, it seems, is in making and controlling puppets. Thanks to his skill, he is offered a job as a lab assistant to Dr. Walker, who is working on ways to re-animate dead bodies by inserting electrodes at key nerve points and manipulating the bodies as if they were on strings. When the professor suddenly dies one night, Shanks gets the idea to apply their experimental results to a human body, and then to start exacting some revenge.
One in a series of twelve films in which the great French mime Marcel Marceau performs some works from his repertoire. In his introduction he describes this pantomime as having a theme that goes beyond time, an allegory showing a man trying to escape an enclosure of invisible walls. He also suggests that it stands for our freedom of choice, stating that for the limited span of our life on earth, we must struggle for the enlightenment of humanity and search for a way out of the cage
One in a series of twelve films in which the great French mime Marcel Marceau performs some works from his repertoire. In his introduction Marceau calls mime the essence of life and suggests that it can reach the soul through silence. In this pantomime he expresses life from the womb to the grave in a few minutes and illustrates one of the art's most notable characteristics - its ability to condense time and to create through time the pulse of humanity.
Marcel Marceau pantomimes the story of a man who becomes trapped in one of his ‘masks.’
A dimension-shifting mime player is disturbed in his peace by a student fraternity. His response is unexpected: by using the fourth wall, he turns their world on its head; literally. However, his powers are useless to achieve romance.
Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.
A lost psychedelic 16mm film reel blending unsettling animation, mime , and drugged-out voice over, created by IMAGO for the United Church Board for Homeland Ministries. Based on Gabriel Fackre’s 1974 preparatory text for the World Council of Churches’ Nairobi Assembly, the film offers a visual interpretation of “Jesus Christ Frees and Unites,” channeling themes of spiritual liberation and collective awakening through surreal, church-coded countercultural imagery.
Jean-Gaspard Deburau is a very successful mime, the most famous in his category. One day, he falls head over heels in love with Marie Duplessis, a courtesan better known as "La Dame aux Camélias". But he soon realizes that he is but a number in her long list of lovers. He will find comfort in devoting his time teaching his art to his son Charles.
A lonely mime takes desperate measures in order to find the audience he deserves.