Artists on Board

A genre-bending documentary using dance and physicality to explore themes of youthfulness, fear, regret and aging. The star of the show is New York. The perspectives of elderly citizens of NYC are interpreted physically by a younger generation. The words come from real-life interviews recorded with a diverse selection of aging New Yorkers.

Short documentary by Karl Schedereit

Samantha Flores, an 87 year old trans woman dreams with creating a nursing home for elder LGBTTI+ community.

Chauffer le dehors

Je suis là

Good morning, Bear River High School. This documentary is made up entirely of high school morning announcement broadcasts from the 1990s.

In this short film, the French photographer, Valérie Jouve explores the way in which an era constructs countless layers of time and space without feeling any need to establish connections between them. The film is about time or, more precisely, the various times that today make up our everyday life.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Investigating autumn, temporal alterations, and their effect on movement

An elderly stunt performer travels to The Arctic Circle to meet the real Santa Claus. Filmed in 1997.

24 hodin pražského metra

A moving documentary. The life stories told by immigrants in Paris are often saddening. The hardships they went through and their current uncertainty and difficult situation. No residence permit, fear of the gendarmerie, little money, poor housing. The quality and background of the musicians is many times amazing.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

This documentary observes the conversations, primping and camaraderie that take place in the women's bathroom of a nightclub over the course of a night.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.

A 960-pound Elvis impersonator is absolutely convinced he is Elvis Presley's secret love child.

Daniel Pérgules, known as “Kilos” is a turtle rescuer and animal rights activist. On his journey searching for turtle nests in the most remote parts of the beaches of Tecolutla, Veracruz, he remembers the day it all began, and how his work saved his life.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A view of Sydney Harbour. Australia's feathered icon laughs the bridge into animation. The bridge dances to a rhythm created by the hype which sails beneath it. A parody of a view which people pay millions to be near.

An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.