Yes, Giorgio

Die Drei von der Tankstelle, meaning The Three from the Gas Station, was advertised as a German operetta when release and with it’s star studded cast would become the forerunner of Musical films. Even today the soundtrack of the comic harmonists is popular in Germany.

Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

In this East German teen musical, a group of girls are planning to take their summer vacation together on the Baltic coast. When a loud and obnoxious group of boys intrudes on their holiday, the girls are horrified to learn that the boys have the same vacations plans as them. The two groups quarrel with each other and compete over a number of things, but gradually an attraction starts to form.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

Flying Saucer Rock N Roll is the debut feature film from the father-son duo Eric and Joe Callero. The year is 1957 as a group of rockabilly and beatnik teens are visited by weed smoking Martian zombies who have come to take their earth women. Filmed with respect for classic horror films and full of laughs as the viewer is taken on an adventure like no other.

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

A man falls in love with a woman from high society - but her father doesn't approve of their love.

His right hand having been wounded during the war, concert pianist Andrei Balashov is unable to perform his art. As a result, the young man feels so depressed that he considers his life wasted. One day, he decides to leave the capital and flee from the woman he loves, Natasha, a rising singing star. Andrei takes refuge in Siberia, his native land. Once there, he gets a job in a sawmill, where he entertains his fellow-workers playing the accordion during leisure hours. Some time later, Natasha and her company are expected in America where they are to do a tour. But an airplane breakdown forces the pilot to land next to the village in which Andrei lives and works...

A young singer turns his back on God and his father's church when tragedy strikes. He returns years later to find the once powerful congregation in disarray. With his childhood nemesis creating a "new vision" for the church, he is forced to deal with family turmoil, career suicide, and relationship issues that send him on a collision course with redemption or destruction

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

What happened to Figaro and his friends after the events told in Rossini’s and Mozart’s operas? One possible sequel is told in John Corigliano’s “grand opera buffa” The Ghosts of Versailles—an uproariously funny and deeply moving work inspired by Beaumarchais’s third Figaro play, La Mère Coupable, and commissioned by the Met to celebrate its 100th anniversary. This telecast captures its world premiere run, conducted by James Levine. Håkan Hagegård is Beaumarchais, Figaro’s creator, who is deeply in love with Marie Antoinette (Teresa Stratas in a heart-searing performance) and determined to rewrite history and save her from the guillotine. A young Renée Fleming, at the beginning of her international career, sings the unfaithful Rosina. Gino Quilico is the wily Figaro who tries to take matters in his own hands, and Marilyn Horne stops the show as the exotic entertainer Samira.

Shot live from the Winter Garden Theatre in New York City, this presentation of the 1980 Broadway revival of the beloved Lerner & Loewe classic follows King Arthur, who founds the kingdom of Camelot and the Knights of the Round Table. Their goal: fight for justice and right, but Arthur only sees his ideal crumble when his wife Guenevere falls in love with his favorite knight, Sir Lancelot.

a film opera; music by: Gaetano Donizetti (Philharmonic Orchestra of Rome) Directed by Giuseppe Zedda.

Ding Dong Williams, a clarinet player who can neither read nor write music is employed at a motion picture studio. The studio plans to use him and his six-piece band but his musical deficiencies are discovered and the plan scrapped. But the secretary of the head of the music department intercedes on his behalf and he is given a chance in the film.

Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...