Little Doll

As the world moves on from the war and technological advances bring changes to her life, Violet still hopes to see her lost commanding officer again.

Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.

A man is plagued by recurring nightmares, and when he wakes up he finds that the nightmares he just dreamed of keep coming true.

A precocious girl, her nasty parents, two punk-rock losers and a weak-kneed salesman inadvertently become the guests of two ghoulish senior citizens in their dark, haunted mansion.

A formal dinner party starts out normally enough, but after the bourgeois group retire to the host’s music room, they inexplicably find themselves unable to leave.

Pitch, the mean-spirited devil, is trying to ruin Christmas. Santa Claus teams up with Merlin the Magician and the children of the world in order to save the day!

The story concerns an actor who is unhappy with life and decides to separate from his body and integrate his mind into a doll. When his body dies, a group of characters search the countryside to find the doll.

Alma, a little girl, skips through the snow covered streets of a small town. Her attention is caught by a strange doll in an antique toy shop window. Fascinated, Alma decides to enter.

Sad and lonely after the death of her mother, Casey would do anything to see her again. But when a series of mystic mishaps mistakenly brings her fashion doll “Eve” to life instead, it changes Casey’s world forever!

A farm girl learns she is a princess and is swept away by a tornado to the land of Oz.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

A young couple, Ganga and Nakulan, arrives at the ancestral home called Madampalli of the latter. Hailing from a family that follows tradition and superstitions, Nakulan's uncle Thampi objects to the couple's idea of moving into the allegedly haunted mansion, which Nakulan ignores. The couple moves in anyway following which seemingly supernatural events begin to happen.

A young woman, possessed by a demonic entity, encounters a doctor with a very unusual method for performing exorcisms.

Grace Manning is in the middle of her quarter-life crisis, realizing she is in over her head as CEO. To make matters worse, her wild-child ways are causing the company’s stock to plummet. With the help of her young next-door neighbor, Grace’s old Eve doll magically awakens to help get Grace back on track and give her the confidence to be the woman and leader Eve knows Grace can be.

Restored to its original glory by the National Film Preservation Foundation back in 2005, this little Christmas film is one of our holiday favorites. Margaret Conneely (Chicago amateur filmmaker & CFA Collection namesake) frames stop-motion animation and trick photography with live action footage to fuel her very own Christmas fairy tale. FAIRY PRINCESS (1956) was Margaret Conneely's most successful amateur film, winning a slew of local awards, and being named one of the Photographic Society of America's 'Ten Best films of 1956.' Conneely's film was also awarded the PSA's 'Harris B. Tuttle Trophy'; named after Eastman Kodak's innovator of the 16mm format, this trophy was awarded annually for the best amateur storytelling film on a family theme. - Chicago Film Archives

People in costumes do funny stuff.

Alice is summoned by the White Rabbit to save Wonderland from spreading Darkness. However, she knows Alice in Wonderland is a story and that this must be a dream. And so it proves, but at the end, the now grown-up Alice sees the events of her dream begin to unfold for real.

The adventure of a rag doll who, after coming to life, also discovers feelings.

SO:NO

After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.