Paradise Circus

Rachel Whiteread’s cast of a Victorian terraced house in London’s East End was hailed as one of the greatest public sculptures by an English artist in the twentieth century. Completed in autumn of 1993 and demolished in January 1994, House attracted tens of thousands of visitors and generated impassioned debate, in the local streets, the national press and in the House of Commons.

A collaboration between Jem Cohen with writer Luc Sante made in Tangier, Morocco, a city where neither of us had ever been. En route from the airport to the city center, we found ourselves amazed by the landscape outside of the car windows; a massive construction project under way in all directions. While not in itself unusual, we were by struck dumb by the epic scale and seemingly incomprehensible plan of the development and were drawn to return together to this puzzling zone. This project was commissioned by TAMAAS, a small foundation based in Paris, as part of their Tangier project, The 8.

A documentary about the concrete sections of the Berlin Wall that have been acquired by institutions or individuals since 1989 and are now scattered across the USA. Cherished or abandoned, they have become silent witnesses to recent history.

Architect Todd Saunders’s buildings on Fogo Island, Newfoundland embrace the excitement of being on the edge of nature and contemporary design while fulfilling the goal of doing ‘new things with old ways’. Saunders and commissioner, Zita Cobb, provide a personal account of the ideas and traditions that inspire this bold and socially ambitious architectural venture. Gorgeously photographed over the Island’s seven seasons, the film is a flowing, visual narrative that unfolds over time as the principal stage of the project, the Fogo Island Inn, approaches completion.

Alvorada is a 1962 West German documentary film directed by Hugo Niebeling. It was nominated for an Academy Award for Best Documentary Feature and was entered into the 1963 Cannes Film Festival.

Thousands of years before the Inca, a megalithic civilization was founded at Lake Titicaca which spread 500 miles to Cuzco, following a global flood that destroyed the Earth in 9000 BC. Its architects — Viracocha and his seven Shining Ones — disappeared as mysteriously as they appeared, yet the legacy of temples they left behind still baffles the modern mind. Filmed at Tiwanaku, Puma Punku, Cuzco, Quenqo, Saqsayhuaman, Amuru Machay, Quillarumiyoc, Pisac, Tombomachay, Huayna Picchu, Ollantaytambo, Machu Picchu, Cutimbo, Silustani and Amaru Meru.

Can a single building impact the career of an architect, the image of a global company and even the skyline of a big city? Just a month and a day after the disastrous attack on the World Trade Center in New York, the first steel beam of a new tower is erected in London. One question is on everybody’s mind: is it the right decision to build a new iconic tower in the midst of London’s financial district, on a site that has already been bombed before? The 40-storey steel and glass tower sparks further controversy. Norman Foster, one of Britain’s most visionary architects, calls his design for the new Swiss Re London headquarters ‘radial – socially, technically, architecturally and spatially’. In fact, its size and shape are so radical that it is almost immediately nicknamed ‘the erotic gherkin’. Will the Gherkin become the landmark they all dream of?

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

Bílá Telč

Based on a series of interviews documentary film maker Anders Wahlgren made with architect Sven Markelius in 1969. Sven Markelius was one of the most radical architects in Sweden for many years. Since these interviews were the only recorded interviews made with Markelius we can get some insight into his philosophy 50 years later.

Known for his bold, abstract and stark white buildings, American architect Richard Meier now takes on the challenge of building the Jubilee Church in Rome. Holding the location in high regard, Meier praises the vibrant visual layout of the city and tells us, "Rome is a city of architecture; it's a city of walls and columns and spaces and places and defined places and wherever you look there's architecture" (Richard Meier). Staying true to his signature design style, Meier has created a structure resembling grand soaring sails which appear steady and peaceful as they stand in striking opposition to the city's landscape. Three curved walls separate three distinct spaces: the main sanctuary, the weekday chapel and the baptistry, each with its own entrance. As a contrast he shows us his favorite churches in Rome by his famous colleagues from earlier times.

"Permanent Change" looks at the history and development of plastic within the architectural world. Capturing both a series of lectures and a panel with prominent names such as Steven Holl, Beatriz Colomina and Werner Sobek, this documentation observes detailed examples and lively debates regarding the popularization of plastic as a construction material. Addressing a number of contributing factors including design, engineering and form, the participants of the conference present a wide range of theories, analyses and predictions pertaining to plastics as an architectural material.

Accentuating the effects of space, light and structure, glass has become an architectural staple that encourages transparency and visibility throughout a variety of landscapes. After its role in the last century's call to a radical new architecture and urban life, glass architecture is today more ubiquitous than ever.

"Solid States: Concrete in Architecture and Structural Engineering" offers examples and insights into the ever-adapting possibilities of concrete. With the participation of prominent architects and engineers such as Steven Holl, Toshiko Mori and Bernard Tschumi, the lectures consist of footage and theories pertaining to the developments of concrete as a material within the architectural world.

Meier guides the viewer on a retrospective of his white buildings, from private houses of the 1960s to the Frankfurt and Atlanta Museums of the 1980s--all variations on his trademark spatial and planar treatment. His influences from Corbusier, Wright, Mies, and Baroque Germany are shown. Clients and colleagues offer opinions.

Danish documentary about the disobedient schoolboy with a talent for painting, who became one of Denmark’s greatest architects. His ideas were ahead of their time and often received criticism, but today, 50 years after his death, Arne Jacobsen's schools, town halls and libraries are still with us, and they define modern Denmark.

50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.

Derrière les murs de la Cité interdite

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.