Exsultate Jubilate Alleluja

The Hunter tracks down a beast.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

Hungry mosquitos, in search of a meal, find that fruit, flowers and other such fare doesn't satisfy. One enterprising bug hits the jackpot - a human! However, the victim vigorously resists joining the food chain, causing a number of winged casualties. The little buggers wait until the man falls asleep, then set up a number of enterprises: cafes, bars, filling stations, all serving blood. Things are going well, but then the mosquito Cosa Nostra moves in, and ramp production into high gear.

An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual dynamics.

This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is integral to the creation of this concert of space and time.

A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128 frame black-and-white sequence it evolves by programmed reflection, inversion, magnification, color transformation and time distortion into the final restructured film as art.

Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors.

Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.

Music “Canzoni per sonar a quattro” by Giovanni Gabrieli, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz. Images generated by computer.

Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz.

Escher-like images stepping through the frames to the music of a jazz group. Delightful–shows a depth in the imagery not accomplished by computer before.

A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

Beginning with footage of sea birds in flight, the film image is then optically scanned and transformed by the computer. The geometric overlay on live random motion has the effect of creating new depth, a third dimension. Our perception of the birds’ forms and movements is heightened by the abstract pattern outlining them.

“Schwartz’ METAMORPHOSIS is a complex study of evolving lines, planes, and circles, all moving at different speeds, and resulting in subtle color changes. The only computer-generated work on the program, it transcends what many of us have come to expect of such film with its subtle variations and significant use of color.” – Catherine Egan

Computer-simulated disk galaxies that are superimposed and twirl through space in beautiful colors at different speeds.

This tape combines live-images filmed in the Yucatan with output from the Paik video-synthesizer ribboned with computer-generated images.

This documentary chronicles Johnny Cash's 1970 visit to the White House, where Cash's emerging liberal ideals clashed with Richard Nixon's policies.

The sky was covered with clouds and no one knew why the sun no longer rose in the morning. That night someone managed to enter the hacienda to try to put an end to that strange spell.

K8 is the desperate call for help from some police officers who were ambushed by members of organized crime. The impact of drug trafficking on society also has other facets. Animation of charcoal drawings on wood.

The short follows Saitama after he discovers a 1-yen (about US$0.01) sale for high-grade hot-pot meat — but the sale ends at 5:00 p.m. that day.