A television recording of a theatrical production of Alfred Jarry's absurd drama about the gluttonous, gluttonous, compulsive and unscrupulous Father Ubo, who, with the generous advice of his ambitious wife, gets rid of the Polish king and seizes his throne. He establishes a reign of terror in which he only cares about his own benefit, so it is not surprising that the people rebel against him. The recording was made at the end of July 1968 and, thanks to a copy saved from destruction during the normalization period, was first published in 1990.
A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.
An allegory set in an archetypal Czech village, it tells the story of what happens when a series of mysterious events take place, including the disappearance of the station master. While everything has a rational explanation, collective paranoia takes over and everyone's worst instincts are unleashed. Interrogations, disenfranchisement, and the search for scapegoats ultimately lead to murder. The movie was completed in 1969, but it was banned and not released till 1990, Evald Schorm who died in 1988 never saw it completed.
In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.
In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.
Matylda, who lives in the Czech countryside, is trying to arrange burial plans for her dying husband, Jan. While Matylda hopes to have a funeral for Jan in the small town where they once lived, there are complications. Years earlier, Jan spoke out against the Communist government and was consequently expelled from the town. When Matylda fails to convince a local politician to allow the ceremony, she uses her husband's funeral as a public show of dissent.
A successful scientist dares to openly and forcefully criticize the unproductive activities of the institute in which he works. He draws attention to outdated procedures and also to the fact that scientific work must not fall into the abyss of mediocrity and everyday grayness, so typical of the entire society. Will his career withstand this situation?
A young teacher is sent to a rural reform school, where he is faced with brutality of the inmates.
A run-of-the-mill family is terrorized by strangers dressed in military garb who invade their private realm.
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A rich brother and sister's relationship grows dangerously strained as they marry into a poor family
Jin, a young man, is unexpectedly drawn into the world of sacred amulets. He soon learns that this trade is fast-paced, deals strictly in cash, and, most notably, has no fixed pricing. Under the guidance of a legendary amulet master named Moo, Jin begins to understand the business. But he sees an opportunity beyond the usual buying and selling — he discovers that by creating his own amulets and manipulating their perceived value, he can make much more profit. By using just the words “merit” and “faith,” things start to unfold rapidly. Greed eventually drives Jin to a point where there may be no turning back.
Alex, a first-generation latino artist, and Frankie, a professional dancer, navigate the soulless casual hookup culture of Los Angeles. Dating apps and casual sex reign, as they both deny their feelings and continue seeing other people while they fall in love. A series of misunderstandings leaves these two star-crossed lovers oscillating between confusion (ghosting and ignoring) and obsession (sex and pasta). But what happens when they finally meet someone different? Do they even know how to love anymore?
A professional assassin, Chris McCall, secretly works for a covert organization known as “The Office” while maintaining the façade of a normal family life. When he mistakenly kills the wrong target, he finds himself hunted by both his employers and enemies, forcing him to protect his family and confront the consequences of his double life.
Reenaction of a scene from Stephen King's "Sorry, Right Number" script for the anthological series "Tales from the Darkside"
Unafraid of war and unwilling to stop until she finds that one answer. She carries no doubts. Only the ache of an answer she's searched her whole life.
A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.
Hajime asks his friend Yoshi to set him up with his classmate Ann. Yoshi tries to do this for Hajime, but this just upsets Ann. Yoshi's relationship with Ann is now awkward. Yoshi doesn't know exactly why, but Ann becomes absent from school frequently. One day, during their summer vacation, Yoshi hears that Ann has dropped out of school.
Chieko Sanda has operated a dry goods store in Kyoto for the past 20 years. Her family has owned the store for generations. Chieko is conflicted on whether her daughter Mai will take over her position with the changing of times. Mai is a college student and has not decided whether to take another job or take over the dry goods store. Meanwhile, Mitsuko Nakata runs a forestry in the outskirts of Kyoto. Mitsuko is Chieko Sanda’s twin sister, but they were separated at an early age. Mitsuko is in serious financial difficulties. Mituko's daughter, Yui, has talent in art and she goes to France. There, Yui feels a sense of powerlessness. Mitsuko notices and goes to Paris to see her daughter. Mai travels to Paris to take part in an event to show Japanese culture.