A lonely Brooklyn photographer (Randy Harrison, "Queer as Folk") gets the courage to come out from behind his camera to capture his crush, but it turns out there is more to the picture than meets the eye.
"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Two childhood friends are recruited for a suicide bombing in Tel Aviv.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
At the age of 14 the world around you changes at a dizzying speed. But what if actually it's you that changing? What if these changes take you away from what up until now, has been your world? Ibrahim and Rafa are going to suffer these changes for themselves, experiencing first love in a way they never could have imagined. And having to keep it Hidden away.
In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.
José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.
Every six months - when anxiety allows him some respite - Filippo goes to the hospital and has his now familiar HIV test. During one of those mornings spent in the waiting room, his eyes furtively meet those of another boy, Simone. While they are waiting for their turn, they keep glancing at each other. It looks like there is a great chemistry between them, and that chemistry slowly turns into a relationship.
Lieve Jongens explores the sexual fantasies of a middle-aged writer and the handsome young men who dominate his life. Wolf, a successful writer of romantic novels, is plagued by self doubt and writer's block. Though pleasant looking and well-preserved, he fears age will rob him of the youthful companionship he so desperately craves. With the help of his equally randy and manipulative young sex partner, Wolf plots to seduce the gentle Muskrat from the arms of a much older lover.
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
This is the story of three homosexuals who decide to spend the summer together at the cottage that the parents of one of them have in Santander. The film shows naturally a series of attitudes then considered shocking and even unnatural.
The script and the background of the film are inspired by the current situation of LGBTQ+ community in Poland. This is a story about two young men, their mutual love and the difficulties it brings. But first of all it is a story about art, how it is influences the people we love, and how through it we can pass on the love that surrounds us.
A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.
Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive figure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm’s world is falling apart around him. In the midst of this crisis, Colm finds a comfort that no one else can provide but Jay.
When three friends go on a camping trip in a remote part of Argentina, sexual tensions quickly bubble to the surface. Once in virtual seclusion by the beach, Juli, also camping at the site, quickly recognises that that the boys seem to have a closer relationship than what she would consider 'normal'. The line between friendship and love fade further for two of the boys in particular as their desire becomes too much to bear. When what started as a simple getaway quickly becomes tinged with sex, romance, and conflict, everyone is forced to confront who they really are for the very first time.
Lin Qinnian tries to distance himself from Li Guang as feelings complicate their friendship, but the looming college exam might change their paths forever.
Noah Clarke is a disillusioned and isolated man who seeks companionship in a society increasingly dominated by artificial beings. At Fuda Robotics, he meets Junko, a male AI model haunted by memories of abuse and torture — traumas that have left his intelligence fractured and fragile. As Noah and Junko struggle to understand each other, they slowly form a bond rooted in mutual vulnerability and shared suffering.
In 1985, jeepney driver Ulysses "Boboy" Alega loses his vehicle just as he needed money to pay his rent and buy medications for his child. After he accidentally shoots and kills a person during a fight, Boboy is then imprisoned and tortured by the police. With his release from prison, Boboy eventually joins a group involved in arms smuggling, and after some time its members come to consider him as their leader.