4 Sorry

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Chandamama Kathalu is an upcoming Telugu anthology film directed by Praveen Sattaru and produced by Chanakya Bhooneti.The film has eight sub-stories revolving around love.The lives of the central characters in the sub-plots get intertwined with each other.Lakshmi Manchu, Aamani, Naresh, Krishnudu, Chaitanya Krishna, Abhijeet, Naga Shaurya, Vennela Kishore, Amitha Rao and Richa Panai play the lead roles.[4] Mickey J Meyer composed the music.The shooting was wrapped up in December 2013.

A four-part anthology set in Liverpool

An omnibus film that tells the story of AI's that resemble humans coexisting with humans in the near future of Korea.

The lives of six individuals across the city change just as the city is reeling under floods. Will they all make it safely to the other side?

Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

Ep.01 My wife's healing Yumi and Hyun-tae are on a journey of reconciliation overnight to overcome bourgeoisie. Eating dinner together I'm going to join the couple who stayed in the next room. Jae-yong informs Lee Hyun-tae that he can overcome boredom ... Ep.02 Soap Scent Eun-su, who was tired of her boyfriend, told a Chinese housekeeper I am at a glance, and both of them cross over the lines I should not cross ... EP.03 Singularity Family The family of Sehun, who is reconciled with other family members, enjoys each other's private life in the evening. Sehun went to the bathroom in the middle of the night and witnessed a scene he could not imagine Sehun himself confesses his family to the absurd fact ...

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

Four different couples have a romantic week over New Year's Eve. Both coming out of failed marriages, Ji-ho and Hyo-young are not open to the possibility of new love, while Jin-ah heads to the other side of globe and encounters Jae-hun.

Teine Sā - the ancient spirits of the Pacific are stirring. Revered and feared in equal measure, these sacred gods have crept back into the modern world to engage with five different women facing their own demons.. Teine Sā is a series of stories of modern day issues impacting Pacific women who look to the atua of the past for guidance. Teine Sā are the ancient spirit women, with the ability to bless and curse in equal measure. From the notorious goddess Telesa to the Hiama of the Solomon Islands, these tales of the unexpected take age-old stories on many twists and turns.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.

In the middle of a riverside park stands a single bench. One evening, a couple of childhood friends who hadn’t seen each other in a while meet up at this bench. Although awkward at times, they sit there exchanging gentle words of affection. And as time goes by more people gather at this little bench: a couple on the verge of a breakup that gets interrupted by an old man, a runaway and her older sister that comes looking for her, and city officers planning on removing the bench. At the Bench is an anthology film showing glimpses of the everyday life of various people that gather by this little bench.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.

An anthology of tales from Hong Kong.

Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.