A Baby Given by a Fox

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.

This is the story of teenage girl Steph, who is brought up by her fiery aunt Jude after her pregnant mother Jass and Vietnamese father are killed in a car crash. The arrival of her late mother's diary reveals the colorful, sexy secrets of Jude and the foreman Alan that allow Steph to reinvent her vision of the world.

"Found" is the story of an innocent teenage boy raised up in the Appalachian Mountains on a small old fashioned homestead devoid of modern conveniences and tucked away from the broader culture at large. Through a sudden tragedy, he suddenly finds himself cast out, alone and adrift into our high-speed, hi-tech modern world until he meets a troubled family who takes him into their home for better or for worse. What he learns about himself and what others around him discover about themselves brings new meaning to the phrase "testing your faith" (James 1:2-4).

Filmmaker Nicky offers to track down the son that Mamie gave up for adoption nearly two decades before. Meanwhile, Mamie's stepbrother (and the father of her child), Charley, along with his boyfriend, Gil, try to find out what became of the sperm Gil donated to a lesbian couple. Finally, singer Jude becomes entangled in a love triangle with androgynous drummer Otis and his conservative father.

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

Directed by Don Owen, this follow-up to Graham Parker’s 1964 film Joey revisits the life of the eponymous young boy, who at the age of seven had trouble finding adoptive parents, most of whom look for children who are still in their infant years. This film catches up with Joey after he has found a home, and reveals some of the problems he faces in adjusting to the routines of family life.

David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.

As a young child, Hana loses her family to a devastating tsunami that wipes out her town. At a shelter, distant relative Jungo sees her wandering and adopts her as his daughter.

A 13 years old girl is forced to go living with another family for reasons unknown.

18-year-old orphan Juliette's unbridled appetite for pleasure shakes up all of St Tropez; her sweet but naïve husband Michel endures beatings, insults, and mambo in his futile attempts to tame her wild ways.

Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything required to raise it right, but he sees his life changing unexpectedly, since his fiancée leaves him, and his relations with his students go from bad to worse. While this is happening, the mother shows up to claim her child. In the end, everything is corrected, and a solution is provided through marriage.

After years of failing to get pregnant, Frank's baby-crazed wife, Estelle, forces the issue by secretly putting them back on the adoption wait list. When Estelle receives a phone call about the possibility of an available child, Frank must suddenly decide whether he's committed to becoming a "Pop" or not.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

The first part is pathetic and shows Eleanor Hamlin (Edith Roberts) severing home ties with her grandparents to be "adopted" by a party of idle rich on the cooperative plan. The parties adopting her are single, and one of them, Beulah Page (Winifred Greenwood), has her own ideas on the subject of raising the young - these ideas absolutely precluding the main requisite, love.

This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.

A father and son are practicing some football plays before the big game coming up. The son is distant and distracted as he has a big decision to make. His father is best positioned to give advice, but it will require digging into some emotional memories and cause both of them to talk about an uncomfortable subject that they've never had to face head on before.

For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.

Zsófi, a rebellious teenager, lives in a tiny flat with her little sister, Mesi, and her unstable mother, Bea. Zsófi discovers late that she is pregnant and decides to give up her baby through open adoption to an infertile couple. Bea cannot accept her daughter’s decision, but she does not realize that neither Zsófi, nor the circumstances, are suitable to welcome a newborn. Zsófi has always had to behave like a grown-up, working and making sensible decisions, instead of her mother and for her sister. She is still in high school and her only advantage is her table tennis career, for which she works assiduously. She plans the adoption thoroughly with the help of a social worker. Following the birth, she is given six weeks by law to change her mind and ask for her child back. She seems to be able to control her feelings ruthlessly and continue towards the goals she has set. At the same time, her maternal feelings intensify, doubts arise, and she slowly begins to question her decisions.

Richard, a homosexual man, decides to adopt a child named Juan. As the child becomes accustomed to his new home, he continues to suffer from the fears of his past. Ricardo feels that his son should know his roots and begins the quest to discover Juan’s true identity. This search unravels Juan’s real story; a story very different than what was presented before. Slowly, Juan’s life begins to appear, much like the tip of the iceberg submersed within the immense ocean.