National Theatre Live: Paradise

The ultimate royal family crisis. Prince Hamlet's father is dead, poisoned by his uncle, who has usurped the throne and married his mother, the Queen. When the dead King's ghost appears, commanding his son to revenge his foul and most unnatural murder, Hamlet is set on a course of action that can only end in the destruction of a dynasty and his own extinction.

Christopher, fifteen years old, has an extraordinary brain – exceptional at maths while ill-equipped to interpret everyday life. When he falls under suspicion of killing Mrs Shears' dog Wellington, he records each fact about the event in the book he is writing to solve the mystery of the murder. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

In 1964, Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new Broadway production of Hamlet under Sir John Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.

Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.

Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.

The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

Farewell the tranquil mind. A bright, headstrong daughter of a senator; elevated by her status but stifled by its expectations. A refugee of slavery; having risen to the top of a white world, he finds that love across racial lines has a cost. Wed in secret, Desdemona and Othello crave a new life together. But as unseen forces conspire against them, they find their future is not theirs to decide.

One person can make all the difference. Miss Lily Moffat arrives in rural North Wales, determined to help young local miners out of poverty by teaching them to read and write. Lily soon spots talent in the unruly Morgan Evans, but when she faces growing resistance from the community, she does everything in her power to forge him a new future.

A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.

Meet Tracey Gordon. Friendship, sex, UK garage, school, teachers, periods, emergency contraception, raves, tampons, white boys, God, money. Friendship. The more she learns about the world the less she understands.

As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.

With his parents about to celebrate their wedding anniversary, a middle-aged husband agrees to renew his vows to his longtime wife. But as they assess their relationship, the couple discovers that their marriage no longer has any meaning. A televised production of Robert Anderson's thoughtful play, this fascinating drama deftly examines the institution of marriage and the nature of love.

A new version for younger audiences by Bijan Sheibani and Ben Power. Originally staged as part of the National Theatre’s Shakespeare for younger audiences programme. This archival recording was captured in 2017. This contemporary production sees a company of eight tell the most famous love story of all time, set against a vivid urban backdrop bursting with excitement, colour, dance and song. A swift, contemporary celebration of Shakespeare’s masterpiece, Bijan Sheibani’s thrilling production brings Romeo and Juliet to life for a new generation.

On the set of a new film about Victorian artist JMW Turner, young actress Lou is haunted by an unresolved history. Meanwhile, in 1840 Londoners Lucy and Thomas try to come to terms with the meaning of freedom. Moving between London past and present, we embark on a powerfully personal voyage through time.

For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Follow along as we leap from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.

Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder. This contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the company.