We're Not Good At Parting

A short film based on the book by Slovak author Pavol Zeleňák, "Keď sú tajomstvá iba služobné" (When Secrets Are Only Official). In four tragicomic short stories—banking, confessional, medical, and state secrets—the viewer learns what can happen when bank clerks, priests, doctors, and ministers reveal or abuse official secrets. Regardless of the reason for their actions, they can cause curious problems or even tragedy.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

An omnibus movie derived from five real events experienced by some urban Jakarta residents during maghrib.

A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.

An early satirical anthology of socially conscious shorts.

Three stories (Gabriela, Eda and Jana), two of which are dedicated to girls. They share a common motif of disillusionment when the protagonists encounter scorn and disinterest.

Antoine Sforza, a thirty-year-old young man, left his village ten years before in order to start a new life in the big city, but now that his father, a traveling grocer, is in hospital after a stroke, he more or less reluctantly accepts to come back to replace him in his daily rounds.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

Izzy seeks out everything in her power to stop her partner from transitioning. Meanwhile, Michaela tries her best to be a good person.

An anthology of four diverse stories about identity and belonging through prism of love and loss, sexuality, marriage and wish to fulfill dreams.

The lives of six individuals across the city change just as the city is reeling under floods. Will they all make it safely to the other side?

A group of Mumbai up-and-comers search for love and struggle for success in this ensemble drama that centers on an eager young call centre executive.

A young boy tells three stories of horror to distract a witch who plans to eat him.

After a high-speed car chase, Madea winds up behind bars because her quick temper gets the best of her. Meanwhile, Assistant District Attorney Josh Hardaway lands a case that's too personal to handle: that of a young prostitute and former drug addict named Candace, also a childhood friend. When Candace winds up in jail, Madea takes the young woman under her protective wing.

Four different couples have a romantic week over New Year's Eve. Both coming out of failed marriages, Ji-ho and Hyo-young are not open to the possibility of new love, while Jin-ah heads to the other side of globe and encounters Jae-hun.

Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.

An anthology film that takes you to different eras in the history of Kerala through three stories about relationships and emotions.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. This third installment continues the If You Were Me tradition. Directors Jeong Yun Cheol (Marathon), Kim Hyeon Pil (Wonderful Day), Lee Mi Yeon (L'Abri), Noh Dong Seok (Boys of Tomorrow), Hong Gi Seon (The Road Taken), and Kim Gok and Kim Sun (Capitalist Manifesto: Working Men of All Countries) participated in If You Were Me 3, creating shorts on human rights issues of their choosing, ranging from labor conditions to gay rights to discrimination.

Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".