Automaton

Test pilot Tuck Pendleton volunteers to test a special vessel for a miniaturization experiment. Accidentally injected into a neurotic hypochondriac, Jack Putter, Tuck must convince Jack to find his ex-girlfriend, Lydia Maxwell, to help him extract Tuck and his ship and re-enlarge them before his oxygen runs out.

Feature documentary, completed but unreleased.

A man spends the day frolicking. What is there not to be happy about?

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Walter Gropius saw stage design as an interplay of various disciplines, comparable to architecture, forming an "orchestral unity." From the structural affinity of the two arts, he derived the necessity of establishing a Bauhaus stage. Here, the fundamental elements of "stage design" were to be examined and reformulated. At the center of the Bauhaus stage was Oskar Schlemmer, who headed the stage workshop from 1923 to 1929. With his Triadic Ballet and the Bauhaus Dances, he explored the tension between people and space, and thus the fundamental conditions of theatrical design, through abstract and geometric play with form, color, sound, movement, and light.

A Japanese Company funded by the USA experimenting with anti-bacteriological weapons creates a mutated humanoid rat creature which becomes violent and murders the lab technicians. The lab is condemned and its horrifying experiments kept a secret. However the strange bacteria leak from the lab and spreads to the nearby inhabitants causing a humanoid epidemic! Three people are sent to the lab to uncover the US government conspiracy that unleashed a bloodthirsty monster beyond their wildest imagination.

A short film written by Hussain Manawer about 2020 and mental health.

A plane crash surviving attorney stumbles upon a mysterious island and is shocked to discover that a brilliant scientist and his lab assistant have found a way to combine human and animal DNA—with horrific results.

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

A military veteran goes on a journey into the future, where he can foresee his death and is left with questions that could save his life and those he loves.

A story of a dance crew and their long-suffering wanderings to bring together their dreams, after a long audition process.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.

Vanity

Tar Steam Princess Armada travels along Lake Saimaa to St. Petersburg and back during the years of Russian rule over Finland. The ship's crew gets tired of their sophisticated coffee maker and replaces her with Roma girl Veera, who has escaped from an arranged marriage. On the way back, mysterious passengers appear on the ship.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

Based on an "actual event" that took place in 1943. About a US Navy Destroyer Escort that disappeared from the Philadelphia Naval Shipyard, and sent two men 40 years into the future to 1984.

Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.

When brilliant, eccentric scientist Seth Brundle makes a huge technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.