Yesterday Girl

A few decades after the destruction of the Inca Empire, a Spanish expedition led by the infamous Aguirre leaves the mountains of Peru and goes down the Amazon River in search of the lost city of El Dorado. When great difficulties arise, Aguirre’s men start to wonder whether their quest will lead them to prosperity or certain death.

When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

Goalkeeper Josef Bloch is sent off after committing a foul during an away game. This causes him to lose his bearings, and he wanders aimlessly through the city streets and spends the night with the box-office attendant of a movie theatre.

One night, bedridden Bianca finds herself in a terrible scenario. As it plays out, she must venture through the catastrophe that once was her home in search of a way to escape. In the different rooms she each will be faced with a different obstacle in front of her. May it be mysterious figures, lunatic faucets, or this heat which seems to come from somewhere...

A tramp finds a gun lying in the street.

This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.

A documentary about the life and work of director Rainer Werner Fassbinder.

"End of the Commune"/"Ende einer kommune" is a great 49 min. long movie made in 1969 about Fassbinder and the early years of the legendary Antiteater he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffehouse" which also became a television-movie, and you can watch unique footage from the 19th Film-Festival in Berlin (1969) where "Love is Colder Than Death" were shown. As told in this documentary, his first feature-movie were given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder than Death", while a man in the audience is shouting "Out with the director!". In this interesting documentary Fassbinder also talks a lot about his father which was a respectable doctor.

Fictional film with documentary elements about a jazz musician in Berlin.

Interview film with the protagonists of the New German Cinema in 1966.

Yod is a guy from Northeastern Thailand who works as a taxi driver to support his family. His wife used to be a famous singer in a café. Almost everybody in Yod's life have a combination to the number 24-36-24 (an address, mobile number, measurements, etc.) One day, Yod is forced to accept a lottery ticket in lieu of taxi fare, which ends up being a super winning ticket! Immediately, everybody around him begins to change as they try to convince Yod to cash in the money. Eventually things get more and more violent, and Yod realizes none of them really care about him....It's all about the money....He runs away to Northern Thailand to think of what to do...

After the demise of warlord Nobunaga ODA, Japan was about to be unified by Hideyoshi TOYOTOMI. However, there was one man in Kanto region that was defiant to it. That man, who named himself TenmaOh (Mirai MORIYAMA) and leads the KANTO DOKURO-TO, an armed group hiding in the pitch-black DOKURO-JO (skull castle), once worked for NOBUNAGA. Sutenosuke (Shun OGURI) happens to rescue a woman who has been chased by the KANTO DOKURO-TO, which was headed by the bloodthirsty madman TenmaOh.

On the first anniversary of a traumatic life changing event, 16 year old Daisy attempts to get through to her increasingly withdrawn mother. Is her only solace beneath water?

This film is a social comment of the times, exploring issues that centre around relationships and what was allowed and what was not allowed at the time (early 60s) in Greece. There are sub-plots also, mainly relating to the life of the poor city dwellers, social injustice and seeming double standards. Aliki Vougiouklaki is a poor young girl dreaming of a better life and the "handsome prince on a white stallion" who will deliver her from her miserable existence. She meets and falls in love with a young man (Nikos Kourkoulos) who also falls in love with her, but things are not as simple as they first seem. His past comes to haunt them with tragic consequences. Vassilis Diamantopoulos is excellent as the half-crazed old captain whose life strangely echoes that of young Aliki.