The Police Estate

In an intense action-filled 85 minutes, you will learn to defend yourself against the mounting threat of “knife culture” offenders.

From the creators of Surviving Edged Weapons comes a new instructional film for police officers dealing with office hostage situations.

A training film showing police officers how to deal with persons who are mentally ill.

Discusses strategies for police officers to anticipate and respond to ambush situations. It highlights the importance of planning, training, and teamwork in counter-ambush tactics. The text emphasizes the need for officers to remain vigilant, vary their routines, and utilize effective communication to minimize risks during potential threats.

This 1964 training film, “Mob and Riot Control,” was produced by Charles Cahill and Associates, Inc and presented by Federal Laboratories, Inc. illustrating police tactics and techniques for controlling civil disturbances. The film opens with unruly mobs shouting and overturning a car.

Demonstration of shoplifting methods. With the Cooperation and Assistance of Berkeley, California Police Department and Berkeley Police Reserve; Addison H. Fording, Chief of Police; J.F. Hink & Son Department Store, L.W. Hink, President. Technical Assistance: Wm. P. Beall, Lieutenant; E.A. Skells, Sergeant, Berkeley Police DepartmentGeorge Jelten, Director of Visual Merchandising, J.F. Hink and Son. Director of Photography: John L. Siegle. Sound: Walter D. Porep. Narration: John E. Pedersen.

To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.

The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers, and only one man can stop him.

A group of policemen and policewomen from different municipalities are in Rome to take a course that will take them on a study trip to London.

James “Brick” Davis, a struggling attorney, owes his education to a mobster, but always has refused to get involved with the underworld. When a friend of his is gunned down by a notorious criminal, Brick decides to abandon the exercise of the law and join the Department of Justice to capture the murderer.

A band of female police cadets train to join the Hollywood vice squad. The toothsome rookies are assigned to infiltrate a kiddy porn operation, then must go undercover and join a prostitution ring run by Queen Bee.

One of over thirty police training films produced by Murray Woroner, "Patrolman You Have a Problem" was released by Motorola Teleprogram Center.Created in conjunction with the Miami Dade Police Department (and others), each film in the series examines an aspect of police conduct and training. In this specific film, the viewer is shown scenarios in which rookie cops are exposed to the cynical attitudes and reckless actions of seasoned veterans. Here, the words and actions of the sergeants and other senior police officers appear contradictory to the code of conduct and what was taught to the trainees in the police academy. The goal of the film is to create a discussion about "doing the right thing" and, of course, to reinforce the code of conduct. The film was produced by Woroner Films, inc and scripts and research were carried out by Frank Augustine, Sam Harris, Miami Dade Community College, and Bal Harbour Police Department of Florida.

A promising career with the police, a baby on the way... Marc's life seems to be right on track. Then he meets fellow policeman Kay and during their regular jogs Marc experiences a never-before-felt sense of ease and effortlessness – and what it means to fall in love with another man.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Abondance

Le monde en face - Chine - États-Unis, la nouvelle guerre froide

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

As the most dammed, dibbed, and diverted river in the world struggles to support thirty million people and the peace-keeping agreement known as the Colorado River Pact reaches its limits, WATERSHED introduces hope. Can we meet the needs of a growing population in the face of rising temperatures and lower rainfall in an already arid land? Can we find harmony amongst the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the water? Sweeping through seven U.S. and two Mexican states, the Colorado River is a lifeline to expanding populations and booming urban centers that demand water for drinking, sanitation and energy generation. And with 70% of the rivers’ water supporting agriculture, the river already runs dry before it reaches its natural end at the Gulf of California. Unless action is taken, the river will continue its retreat – a potentially catastrophic scenario for the millions who depend on it.