Here's a Piano I Prepared Earlier

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

The documentary Rádio Nacional performs a precious sewing, with more than 40 testimonies, and with it weaves the rich plot of the greatest mass communication vehicle of all times, until it abruptly suffered the 1964 coup.

A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.

Portrait of the popular Dutch singer André Hazes.

It is a documentary directed by the band Serpente, one of the oldest rock'n roll bands in Belo Horizonte. The band Serpente was formed in 1982 with an original objective for the time: to play live songs of their own authorship in a style based on the deepest roots of rock'n roll and traditional rhythm and blues.

When Ruben, a young Chicano musician, is caught between his mother’s expectations and his own hopes, he is forced to make a decision that will change his life forever. Based on true events, “Con Esperanza” follows Ruben on his journey of pursuing his dreams, balancing both the traditional and financial expectations of his Mother.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

Jackson Pollock's 'Mural': The Story of a Modern Masterpiece is an Emmy Award winning documentary that explores the remarkable journey Pollock’s most influential painting took from New York to Iowa and around the world. Featuring well-known and respected art collectors and scholars, the film examines this powerful work and its enigmatic creator, celebrating the timeless energy of a once-controversial painting now hailed as a keystone of modern American art.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.

“Dub Echoes” is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.

A powerful and intimate portrait, Joan Mitchell: Portrait of an Abstract Painter captures Mitchell's independent spirit and testifies eloquently to Mitchell's art. Joan Mitchell was born in Chicago in 1926 and died in Paris in 1992. After graduating from the School of the Art Institute of Chicago, Joan settled in New York City in 1950. She was an active participant of New York's dynamic Abstract Expressionist scene and hung out with fellow painters Franz Kline, Willem de Kooning and Philip Guston and, soon, poets Frank O'Hara, James Schuyler and John Ashbery. In the mid-fifties, she moved to Paris, France. There she was part of a circle of friends that included Pierre Matisse, Samuel Beckett and Alberto Giacometti. Mitchell is one of the great abstract painters of the 20th century. This elegantly edited documentary weaves interviews with the acerbic Mitchell and other leading painters and critics while letting her stunning pictures dominate the film.

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.

A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Jackson Pollock said, “he makes the rest of us look academic,” Mark Rothko acknowledged him as a “myth-maker” and Clement Greenberg called him “a highly influential maverick and an independent genius.” Clyfford Still, one of the strongest, most original contributors to abstract expressionism, walked away from the commercial art world at the height of his career. Extremely disciplined, principled, and prolific, Still left behind a treasure trove of works like no other major artist in history. With a wonderful mosaic of archival material, found footage and audio recorded by the artist himself, Lifeline paints a picture of a modern icon, his uncompromising creative journey and the price of independence.

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.

When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.