In A Dream EP Live

Through paintings that interact on the principle of Russian dolls, we are drawn along the swirling path of the thoughts of a pilgrim, a solitary walker.

Short film by Tomonari Nishikawa

A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.

In a forest of giant trees, six-year-old Oquirá embarks on a quest to understand life.

Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.

Show encore montage video + audio, 2023 This Is Why Tour.

Real-life mother and son entertainers Grace and Peter Lind Hayes star as a mother and her son. She’s a fading Broadway star working as a maid to prep for a possible comeback role and he’s the offspring who wants to follow in mom’s footsteps.

This audience sing-along features tunes from four musicals with the lyrics appearing on screen. Numbers include "Am I Blue?" from 1929's On with the Show!.

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher

2-minute animation film to music by John Coltrane.

The fictitious space-rock duo DEATH VAN tours through a miniature world inhabited by surreal creatures that are haunted and terrorized by a menacing and mischievous entity.

Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.

It’s an underground world. Up on the ground there are many people coming and going. There lives a garbage bag. . . underground. He has no work, no home and no family. This is a story in which a dirty black garbage bag gains a new life through. . . various experiences.

Hal and Mitzi have known each other since they were babies. Tap dancer Hal now works as a window dresser in Blake's Department Store, owned by Mitzi's dad. Mr. Blake hates jazz music and dancing. He refuses to let Mitzi marry Hal, because Hal's ambition is to be a dancer on stage. When Mitzi reveals a secret about Mrs. Blake's past, her father soon changes his tune.

A cinematic meeting point between nature and technology, Doug Aitken’s unearthly short is enfolded in evocative hymns whose voices are eerily AI-generated. Glimmering phone screens might have replaced the starry Milky Way, yet the famous Venice Beach still hums with the vibrancy of human activities.

Immediately following the events of 2021’s “Dark Disco”, Evan Melada finds himself on the run from police after a series of serial murders in a Las Vegas motel room in 2090. Seven years later, Melada is drinking himself to death. After gathering several talismans (a framed photo of Mae West, a lei, a bottle of poppers, and a bandana), he launches himself into a botched dream world.

After graduating from high school, Julien left his hometown to build a bigger life in the capital, leaving his memories behind. And then one day, he had to come back, and that day his memories jumped out at him from between two packets of Pépito cookies.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

The short features previously unseen Evangelion storyboard art. Evangelion director Hideaki Anno supervised the "petit film," and Mahiro Maeda directed and storyboarded it. Shiro Sagisu provided the music, and voice actress Megumi Hayashibara narrates the Japanese version of the English lyrics. Sagisu made a few comments about the video on his website and posted the Japanese version of the lyrics. According to Sagisu, when they were finishing work on Q, Anno told him this would be the last time they used the F2 (Next Episode) theme, which made Sagisu want to make a extended version of it. He says the video actually contains four versions of the song: An unreleased version by the London Studio Orchestra (at the start), the Takahashi version from Xpressions, the version from Piano Forte #1, and Hayashibara's narrated version.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.