An intimate visual poem explores the delicate balance between change and stillness, inspired by Ethan TK Trinh’s 2025 poetry collection, “Change and Don’t.”
From 2000 to 2008, China was the leading country for U.S. international adoptions. There are now approximately 70,000 Chinese adoptees being raised in the United States. Ninety-five percent of them are girls. Each year, these girls face new questions regarding their adopted lives and surroundings. This is a film about Chinese adopted girls, their American adoptive families and the paradoxical losses and gains inherent in international adoption. The characters and events in this story will challenge our traditional notions of family, culture and race.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.
The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.
mommy forever
This raw, gutsy portrait of New York's Chinatown captures the early days of an emerging consciousness in the community. We see a Chinatown rarely depicted, a vibrant community whose young and old join forces to protest police brutality and hostile real estate developers. With bold strokes, it paints an overview of the community and its history, from the early laborers driving spikes into the transcontinental railroad to the garment workers of today.
A homeless man with schizophrenia slowly embraces antipsychotic medication under Hawaii's only willing psychiatrist and a court mandate, while a man in recovery offers rare insight into mental illness as he fights to reclaim stability.
In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.
Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.
The filmmaker's father and uncle, Norm and Stan, are third generation Japanese Americans. They are "all American" guys who love bowling, cards and pinball. Placed in the Amache internment camp as children during World War II, they don't think the experience affected them that much. But in the course of navigating the maze of her father's and uncle's pursuits while simultaneously trying to inquire about their past, the filmmaker is able to find connections between their lives now and the history that was left behind.
The different ways a single Vietnamese mother loved her three daughters comes to fruition when Junie, the middle child, reunites with her sisters in their childhood home on their mother’s death anniversary.
A clumsy and rather unskilled, but good-hearted son of two Asian restaurant owners, concocts a new way to help the family business.
Several hundred thousand feral cats roam the Hawaiian Islands. While these cats struggle to survive in the wild, they unfortunately also kill endangered species on the brink of extinction, sparking a controversial and polarising debate across the state.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
In this awards-winning documentary, that aired nationwide on PBS stations in the United States, 71-year-old caregiver Marge fights for the relationship of her life, seeking to sustain her physically declining husband Walter with energy, hope, and love. (The web-exclusive series Caring for Walter is a re-edited version of this documentary and includes bonus interviews on the challenges of family caregiving.)
A political secretary visits their cousin in hopes to understand why certain policies threaten that family member's way of life.
Upon returning home after spending seven years living in Spain, Inés must adapt to a reality that is not what she left behind. Her family’s expectations, accumulated tensions, and her grandmother's deterioration make her return more complicated than she imagined.
Some people think coming out is a one-time event. But in reality, it’s an ongoing series of conversations that need love and courage. See what it means to be a #LifelongAlly in the new film by acclaimed director Alice Wu. Brought to you by OREO and PFLAG National.