Waiting

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Feeling not real? Let me go insane. An homage to the director's mind. A take on body dysmorphia and the bloody tale of self love.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

Atali'i O Le Crezent (Sons of the Crezent)

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

A reclusive former star of British cinema reflects on the loss of her child and her past life in the spotlight.

An introverted guy randomly asks a girl out at the Delhi train station on a day date. They spent the entire day getting to know each other. One is keeping a secret and the other longs for love. Will destiny intervene?

Picnic

A committed synchronized swimmer tries to win the championship and the heart of the coach.

Two filmmakers are going to brief a story to an actor for an upcoming film.

Bustoni, a performing arts worker who lives with his mother who are dying, has a question that distract his life. What will happen to a woman after death?

While you wait to hear if they'll pay your claim, there is almost nothing like the silent buzz at the other end of the line. Or when you say something that requires a response and the world says back, "no worries". There's an art to miscommunication, unthinking, the void, and the customer service call. Phoning it in might just be a necessary part of life. This rough-edged sketch mixing performance art living and film is a study of the phone call, American doofiness, and blank minds under the reign of the corporate call script. Everyone is impotent in the institutional setting.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

A woman reflects under the parapet.

With her girlfriend lying comatose in the hospital, after having found her lifeless body in the bathtub, Clara starts the path of physical and psychological transformation with the goal of possessing her girlfriend again in some way.