Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.
Picnic
Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.
A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.
Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.
After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.
'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.
DEAR ROBERT_
10 scenes on a feeling
Three ancient heroes encounter the spectres of their dead loved ones and struggle to let them go.
A young girl is found dead off the Venezuelan coast. A medical examiner tries to determine the cause of death before the body is repatriated.
When their bodies and worlds is in crumble, the men found that a closet is a safe place for them to vent, or perhaps hide it all inside, forever.
Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.
Atali'i O Le Crezent (Sons of the Crezent)
Human, Tears, Art
A woman reflects under the parapet.
MiniDV visions portraying the anguish of a curious artist who becomes obsessed with replicating images of a woman he sees in his dreams.
Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
Feeling not real? Let me go insane. An homage to the director's mind. A take on body dysmorphia and the bloody tale of self love.