Before They Fall

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Mainland reporter hears about protest on Vancouver Island and decides to visit and see it for himself. He spends time to meet people there from both sides, revealing what it is really all about.

A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.

Standsinwater Sutherland is 2Spirit Cree living in Northern Ontario. Holding her eagle feather, she sits and tells her story: her quest to identity, how teachings learned along the way took her from the concrete jungle of Toronto back to her reservation and her commitment to help her community regain their culture and traditional ways.

"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.

It starts with a live radio broadcast from the Bikini Atoll a few days before it is annihilated by a nuclear test. Shows great footage from these times and tells the story of the US Navy Sailors who were exposed to radioactive fallout. One interviewed sailor suffered grotesquely swollen limbs and he is shown being interviewed with enormous left arm and hand.

This 1991 Academy Award®-winning documentary uncovers the disastrous health and environmental side effects caused by the production of nuclear materials by the General Electric Corporation.

This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.

When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.

The environmental measures taken by the oil industry at the Sullom Voe terminal in the Shetlands.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

Three men seeking asylum in Ireland find themselves on the streets, caught between restrictive migration policies and an increasingly aggressive far-right movement. Dennis Harvey captures an explosive sequence of events on the streets of Dublin.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.

The film takes place on December 21, 2012, while the people of the town of Quillagua await the supposed "end of the world" that the Mayans predicted for that day.

'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...

In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.

A collaborative video and activism project between long-time community filmmaker Rebecca Garrett and Sanctuary, a church community drop-in, evolves into an unflinching documentary immersion into the world of police and security guard violence against people who are poor, homeless, and racialized in Toronto. 'We have to stop calling the police,' says activist Anna Willats. And the message resonates in dozens of stories collected by street pastor Doug Johnson Hatlem. Stunning testimony, images, and commentary are woven together with unique video of police assaults and previously unreleased footage from inside the 2010 G20 detention centre. Conflict erupts over nonviolent responses to overwhelming police impunity. Meanwhile, the increasing militarization of public spaces forces us all to ask: What World Do You Live In?