Fairy Creek Blockade - As I See It

A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.

In a rapidly changing America where mass inequality and dwindling opportunity have devastated the black working class, three Detroit men must fight to build something lasting for themselves and future generations.

At Western Australia’s first Indigenous-run police station, two officers learn language and culture to help them police one of the most remote beats in the world.

Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, 1975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.

At twenty-six, Noel Starblanket was one of the youngest Indigenous chiefs in North America--twice elected chief of the Starblanket Reserve, and also elected vice-president of all-Saskatchewan Indigenous organization. His great-grandfather's advice was to "learn the wit and cunning of the White man." That he did. Here he is seen in action, a chief with a briefcase, working with government officials for grants, running for public office, talking down his opposition, and solving the domestic problems of his reserve.

Guachimontones, los límites del hombre y la naturaleza.

Nika tsheka uiten mishkut

Siméon Malec, host on Pakueshikan FM radio, receives Marie-Soleil Bellefleur on the air to discuss new regulations concerning salmon nets. To their great dismay, the duo is constantly interrupted by increasingly worrying calls... It seems that a lion has been seen in the community!

Meteshu innushkueu

In Nevada’s remote Thacker Pass, a fight for our future is playing out between local Indigenous tribes and powerful state and corporate entities hellbent on mining the lithium beneath their land. Vancouver-based Lithium Americas is developing a massive lithium mine at Thacker Pass, but for more than two years several local tribes and environmental organizations have tried to block or delay the mine in the courts and through direct action.

In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.

Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.

In the Plains Cree language, “pîtoteyihtam” means “one who thinks differently”. Among various indigenous peoples, difference is far from being perceived as a handicap and is rather seen as a strength from which the whole community can benefit. In the era of reconciliation, Indigenous peoples are reclaiming their traditional knowledge and philosophies. Through intimate encounters with several people from the communities of Pessamit (Innu) and Manawan (Atikamekw), the film reveals how neurodiversity is perceived and experienced there, and how we can rethink the accompaniment of these young people by reconnecting with traditional philosophies of First Nations.

Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.

The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.

MAXIMÓN - Devil or Saint (66min.) is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film helps us (re)discover the beauty and strength of our common territory: the Americas.

Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.