Basketball is Fun

Santa’s sleigh is stuck on the beach, and only one creature can help him: The Ice Cream Bunny! Unfortunately, the fire truck that the Ice Cream Bunny drives needs repairs, so he’ll be a little late coming from Pirates World, the run-down theme park that he lives in. We’d like to take this moment to remind you that, yes, this is a REAL movie that people ACTUALLY made. Filmed in front of a live audience at the historic Belcourt Theatre in Nashville, Mike, Kevin and Bill are delighted to inflict, er, present it LIVE for the very first time!

Join Mike, Kevin and Bill, along with guests Bridget Nelson, Mary Jo Pehl, the Mads from MST3K Trace Beaulieu and Frank Conniff, and special guest Paul F. Tompkins and relive this amazing summer-themed night of riffing and comedy!

Bill and Kevin are joined onstage by the great Paul F. Tompkins, and together they host and riff an amazing set of bizarre short films. The shorts cover every subject under the sun (y’know, because “Day”), from workplace safety to childhood safety to sentient talking pillow safety. And that’s not all - we’ve got more guests, riffing teams and legends galore! John Hodgman, Frank Conniff & Trace Beaulieu, Cole Stratton & Janet Varney, and Bridget Nelson with Sean Thomason, RiffTrax Senior Writer, making his live riffing debut.

Watch Mike, Bill, Kevin, and an all-star crew of hilarious guest riffers take on seven classic less-than-educational shorts, filmed LIVE onstage at San Francisco’s Castro Theatre in January of this year, in all its gritty, low-light, shakey-cam glory! Show includes: Welcome Back Norman Perc! Pop! Sprinkle! - with Cole Stratton (Pop My Culture Podcast) and Janet Varney (The Legend of Korra) Choking: To Save a Life - with Kevin McDonald (The Kids in the Hall) Cooking Terms More Dangerous Than Dynamite - with Adam Savage (Mythbusters) If Mirrors Could Speak - with Kristen Schaal (30 Rock, Bob’s Burgers, Flight of the Conchords) At Your Fingertips: Cylinders - with Paul F. Tompkins (Best Week Ever, Mr. Show, Tangled)

Mike, Kevin, and Bill take on some of the funniest, most unbelievable vintage shorts we've ever found, live in the beautiful Castro Theatre with a crew of hilarious guest riffers! Shorts performed during this event include One Turkey Two Turkey, Setting Up a Room, Writing Better Social Letters, Live and Learn, Making Sense with Sentences, and Safety - In Danger Out of Doors.

Mike, Kevin, and Bill were joined onstage at SF SKetchfest Live 2016 by very special guest riffers Bridget Nelson, Mary Jo Pehl, Cole Stratton, Janet Varney, Adam Savage, Paul F. Tompkins, and John Hodgman including a gigantic, possible world record TEN PERSON riffing grand finale!

It’s the story of a group of explorers who travel to a remote island, kidnap two tiny women, thereby inciting the wrath of a giant (albeit adorable) larvae which then swims the ocean, cocoons itself in downtown Tokyo, emerges as the titular Mothra and destroys everything in its path. Yes, it's a tale as old as time, but Mothra does it best! Join Kevin, Bill and Mike as they roast one of the most beloved (and bizzarre!) of the Japanese monster classics, Mothra.

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

Hockney talks about his 40 year love affair with photography.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Who and why shot Hungarian and German infants and young children in the head and exterminated entire families near the town of Prerov (Prerau) in Moravia on the night of June 18, 1945? Why did the bodies of the women and children killed here had to be cremated two years after this massacre - after these bodies were disinterred by army units - in the crematorium of the also Moravian city of Olomouc? Why didn't the Czech historian, who investigated the fate of the slaughtered Hungarian and German families and who also fought for the last honors to be paid to them, receive no praise or medal from Budapest? And what was the fate of the 90 Hungarian leventes handed over to the soldiers of the Slovak army by the soldiers of the Soviet army occupying Austria at Ligetfalu below Bratislava? This documentary explores the story of two hitherto unexplored mass murder in Pronov and Bratislava in the village of Bratislava.

In the summer of 2004, audiences looked on in disbelief as the Greek National Football Team, a country that had never previously won a single match or even scored a goal in a major tournament, took down the giants of world football to become the unlikeliest of European Champions. The architect behind this unprecedented triumph was legendary German football coach ‘King’ Otto Rehhagel. After accomplishing every major success in Germany, he made the bold decision to leave all he knew behind and work in a foreign country with the underachieving Greek National Team. This is the story of how these two contrasting cultures came together to speak the same language and write a new chapter of Greek mythology.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.

A television recital by a singer who can breathe life into poetic lyrics like few other performers. It features a selection of her most famous songs and her memories.

Filmed primarily in Alaska, The Aquarium contrasts the openness of the primeval Arctic landscape with the entrapment of captured sea mammals in aquariums. It speaks of the progressive destruction of these animals’ habitat, seeing beyond the alluring spectacle.

The life of legendary actor Anthony Perkins is recounted by friends and family, colleagues and co-stars, revealing the man underneath Norman Bates.