A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.
A person receives a delivery that ends up immoral.
Father-Daughter duo, Ridley and Elliot, hit a unicorn with their car and bring it to the wilderness retreat of a mega-wealthy pharmaceutical CEO.
Two criminals misplace $1.5 million of dirty money, wich is discovered by three college grads on their first night in the real world. Feeling this is their only opportunity for success in a bad economy, the graduates soon find themselves plunged into the worst night of their lives as they struggle to hold on to their fortune in this darkly comic thriller.
As a working bellboy in 1946, Carl yearns for more. When world-renowned director Charles Cameron steps into the hotel, he gives Carl an offer he can’t refuse. How far will Carl go to earn the appreciation that he deserves?
A straight-laced pharmacist's uneventful life spirals out of control when he starts an affair with a trophy wife customer who takes him on a joyride involving sex, drugs and possibly murder.
A fetus goes absolutely ham.
Infinity was made apart of an independent study at Ohio University. Every person who worked on this film, aside from one of our actors, is a student at Ohio University and has worked on bringing this story to life since October 2022. Set in 2016, Infinity follows the story of two drastically different teenage girls who experience the pressures of growing up and falling in love far too fast. This film is the broad outline for a much larger story, one we hope to continue in the future if given the opportunity!
In a parody of the "Evil Dead" movies, a man walks into a new house and finds the "Cookbook of Evil" and uses it to make a peanut butter and jelly sandwich. The sandwich then comes alive, and this begins the guy's all-day-long quest to survive the forces of evil!
In this hyper-realistic digitally rendered video, sandwiches are assembled in sequence. Each component, from the first slice of bread to the last, is dropped dramatically from a height, before bouncing and settling into place in slow motion. Mayonnaise, then ham, lettuce, tomato, cucumber, and the final slice on top. This perfect yet uncanny choreography reads like an exaggerated, perverse take on ‘food-porn’ obsessed advertising campaigns. These sequences repeat, the sound gradually incorporates saws and machinery, echos from empty environments, pianos breaking, smashes, crashes and mechanical crescendos like jet engines alongside eerie drones, bells, and hard rummaging noises. Another piece of bread lands, some rubber baby dolls fall onto it, some brown slop, a blanket, denim jeans, some businessmen in suits, and more slop. Ketchup, then a union jack, all encased in the final layer of bread that falls to the top of the pile to the sound of a tolling bell. Infinite continuation, loop.
“The faster you break it the faster we make it,” says the wooden column at one point, going on to acknowledge the bounteous economic logic of this reality with the observation that “production is sealed in gold.”Early on we see the black-and-white striped house Adolf Loos designed for Josephine Baker. It’s a cardboard model, of course; the plans were never realized. The house is an idea, an image, a virtual presence, a possibility, a provocation. Later in the film it reappears, reconfigured in different materials with a different range of qualities and surface finishes. “Why do so many things look the same, and only one of them is good?” asks a female voice. This is not the column’s voice but that of someone who sounds much like Marten herself. It is, in fact, her sister, one Marten speaking another Marten’s words. After all, in order to manufacture glamour, a little plagiarism is essential. And this process—call it borrowing, copying, paying homage, whatever—is both violent and comic.
For Ed Atkins, Marten’s "Evian Disease" embodies ‘flatness’ in all its weightlessness, emotional deficit and hollowness of representation. The fact that it’s completely unapologetic about it is what makes it a dangerous piece to his mind.
Jackie, an anxious people-pleaser, attempts to tell her eager date that she's not interested, but after witnessing him getting hit by a bus, her guilt takes over and now she's stuck to take care of him.
For 40 year old Nikola, everyday life is just about producing the worst, the most vulgar reality shows and hidden cameras for TV. His life begins to change when he starts to mentor young girl pushed to be star by her ambitious mother. In turn of the events, Nikola starts to wonder if it is he who is the target of some hidden camera show.
Aging TV star Walter Campbell's attempts to break up with younger girlfriend Lucy are thwarted by the announcement of her pregnancy. Looking for space, Walter resolves to visit his estranged daughter Nic, currently residing in Big Sur, resentful of her father's neglectful parenting and womanizing ways. He agrees to give a lift to Nic's friend Kim, who having recently attended the funeral of her estranged mother, is dealing with her own emotional baggage. Upon arriving in Big Sur, Walter discovers that Nic is living on a lesbian commune, and is in fact due to get married. Nic is appreciative of Walter's acceptance of her sexuality, which sees the pair's relationship begin to repair, but this newly formed bond is at risk of being destroyed once and for all.
A man relies on the help of a strange fellow to get his car running.
Leo, a young aspiring writer struggling with self-worth creatively, has an eventful dream.
In the small town of Ethham, strange goings on have been occurring and the only people who know are the young adolescents of the town. Will they either team up together to solve the mystery or will they not be bothered at all.
"It's a little raw and crude right now, but I want this to be 'My Rotten Life' as a dessert, not as a liver pill." Cult film actress Susan Tyrrell (Fat City, Forbidden Zone, Cry-Baby) performing her one woman semi autobiographical musical show at La Cage, Los Angeles, 1992.
Two outlaws disguise themselves as priests for a robbery at a desert chapel, but their plan is disrupted when Hannah, a parishioner, comes by looking for help.