Senate: Day of the Rope

Giscard, l'impossible retour

The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.

L'Âge d'or de la pub

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

In depth look at the life and death of INXS frontman Michael Hutchence (1960-1997), who took his own life at an Australian hotel room at the age of 37 on November 22, 1997. Featuring interviews with his family, bandmates and friends such as Bono.

Le Diable de la République : 40 ans de Front national

30 years after their emigration, Danni interviews his family and tries to learn their story to reconcile with the past.

Documentary on movie special effects.

In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.

This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.

Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.

Follow five fabulous international Penthouse Pets on their own video centerfold shoots. Go behind the scenes and see exactly what it takes to create a Penthouse centerfold...and then step back and watch it come to life! Along the way you'll be treated to a private look at Penthouse Pets Lola Anders, Thaina Mark, Linda Johansen, Mikki Brenner, and Soraya Valdez. This is truly an affair to remember!

In the early 80s, some bored young people in Hultsfred arrange a gig with the bands Ebba Grön and Dag Vag. It will be the starting point for what would become Sweden's biggest music festival.

Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.

Chaos Switchstance Profiles: Chet Thomas, Laban Pheidias, Gershon Mosley, Andy Macdonald Wheels Of Fortune: Tyrone Olson, Satva Leung, Ryan Kenreich Tampa Am Contests Industry: ATM Southside Skatepark Spot Check Japan Switzerland France World Report Board Aid 3 Transitions

Who are we? Psychoanalysis of Ukrainians

Three generations of Saudi women reflect on their lives through the decades of dramatic regional cultural, political and religious changes. Ajyal (Generations) begins when Saudi Arabia launched its first school for girls in 1960 and continues through the post-9/11 era.

The life and career of American rapper Vanilla Ice, showcasing his start as a breakdancer in South Dallas to his mainstream international success and the hardships that followed through archive personal, TV, news and concert footage.

A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?