Two teddy-bears go hunting unicorns, their favorite prey.
Our narrator looks fondly back at his childhood in Liverpool and the antics of his best friend Johnno. Well known for being a showman and a keen one for joking and the like, Johnno starts to change for the worse after he announced that his father has died.
Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up
A great animated short story about opportunity and helping each other.
After the grey city rain has turned to snow, we find ourselves together with a silhouette figure in the snow-covered mountains. Under the motto "Get on your skis", a winter sports experience for young and old begins - from ski jumping, figure skating and bobsleighing to mountain tours on skis. Animation techniques and documentary real film footage, in which the winter sports enthusiasts themselves often look like silhouetted figures against a white snow background, intertwine, overlap and merge into a cinematic winter snow experience.
A man is imprisoned for life on a remote Pacific island for a crime he didn’t commit…is there any way out?
Forky Asks a Question: What is Money? Hamm attempts to give Forky a lesson on how the US monetary system works.
Trixie explains to Forky what a computer does as they experience the common stresses of technology.
Dolly teaches Forky about the qualities of a good leader, and Forky puts those qualities to the test!
Forky meets Rib Tickles and finds her charming and pleasant, only to be schooled by Rib on the dangers of law enforcement.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
“Like rabbits” is the second part of “Chronicles of bad luck”. The man with the fish head continues his melancholy stroll through a fun fair, randomly distributing, its bubbles of misfortune. As its title suggests, there is a lot of talk of rabbits, but don't let that make you forget the crows. And if you see in this movie, a sordid portrait of a badly barred humanity, your mind may have gone awry.
This motion comic gaps the bridge between 2004's The Chronicles of Riddick, and 2013's Riddick. A new attempt on Lord Marshal Riddick's life is made on the Necromongers' ship. It's time for Riddick to end the years long meandering through space and go back to his roots.
It is a story of the wire man who carried the protection of himself against associates to the point of absurdity, having altered his wife, his dog in a barbed wire, and he fenced off himself from the outwards things.
When clay animated John Constantine (Matt Ryan) comes to Los Angeles for the premiere of his new show, he quickly finds the rising darkness has put a clutch in the filmmaking process.
Short animated Hungarian film. Based on works of Hungarian avant-garde artists: Wahorn András, fe Lugossy László, and ef Zámbó István.
A cardboard world where monkeys steal pickles and buildings change themselves. The film is a visualization of the city's rapidly changing neighborhoods, that still hold charm in the shop keepers and street musicians.
Theodore Ushev’s acclaimed 20th century trilogy concludes with this brilliant fusion of 3D and Russian constructivist-styled animation. Recycling elements of surrealism and cubism, this animated short by Theodore Ushev focuses on the relationship between art and war. Propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7), the film presents imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to Star Wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.