Vanuatu, l'éveil des chefs

Vanuatu, la mer et le feu

If you had never heard of an airplane, would you think it was a miracle when one arrived? Waiting for John tells the story of America's incredible impact on a remote island in the South Pacific and the birth of an extraordinary religion, the John Frum Movement, considered the last surviving cargo cult. We follow the John Frum believers today as they struggle to preserve a culture in danger of being lost to the modern world.

From the remote, islands of Vanuatu, comes an extremely unique and rarely seen tradition, water music.

With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.

Life in Vanuatu isn't all sea, sun and palm trees. For Timothy and his family life is hard. His daughter Betty is out of school because he can't pay her school fees. His wife works as a house girl and his son hangs around with his friends smoking dope, like many other unemployed, young men. Timothy's only hope is the political party he supports, and when the man Timothy has collected votes for becomes a Minister, Timothy dreams he will get a job and earn the money to send Betty back into school. But he is not the only supporter looking for work. And to get the job he wants he has to do things that make him question the whole system. Yumi Go Kale is the first feature made entirely by Wan Smolbag's cast and crew.

A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heroes' are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.

In a traditional tribal society in the South Pacific, a young girl, Wawa, falls in love with her chief’s grandson, Dain. When an inter-tribal war escalates, Wawa is unknowingly betrothed as part of a peace deal. The young lovers run away, refusing her arranged fate. They must choose between their hearts and the future of the tribe, while the villagers must wrestle with preserving their traditional culture and adapting it to the increasing outside demands for individual freedom.

It all begins with western riders coming down the main street of a town that looks a lot more urban than the usual town you see in western movies, with building facades of stone, even though the streets are dirt.

Nice looking Travelogue takes us to the Northeast corner of Wyoming as we visit Yellowstone National Park.

Toronto-based, award-winning dancer, teacher, and choreographer Joanna De Souza takes us through her journey as a non-South Asian dancer in the classical dance form of Kathak.

A Royal Gift: Christmas with the Royals

wE r @ opium_latte on iNstttaGram

Filmmaker Peep Puks has directed 61 documentaries and created almost 40 programmes for television. In this film, he looks back on a lost time, the films that have accompanied him, and the colleagues without whom this all wouldn’t have happened. It’s also the story of the first post-war generation of Estonia and the birth of the Estonian documentary.

Wie zerrissen ist Deutschland? - Der Streit um Werte, Meinung und Macht

Les Explos fêtent Noël

Dictionnaire amoureux de Napoléon en Méditerranée

Kämpfen lernste auf der Straße

An inspirational conversation between David Bowie and director Thomas Vinterberg. Topics of discussion: Bowie’s new album ‘Heathen’, Vinterberg’s Dogma-style filmmaking, numbness of life, living in America and the mind of a fool.

It depicts the daily lives of people whose job is to chase away cormorants that eat fish from a fish farm near Donji Miholjac, Croatia. Cormorants are protected by law and their nesting grounds are located across the border, in Hungary, which gives the protagonists’ efforts a Sisyphean, absurd.

"Going through my mini DVs shot over the past decade, I rediscovered a forgotten night sequence of Chantal Akerman and Sonia Wieder-Atherton leaving a brasserie where we had dined together in Montparnasse. The excerpt stayed with me for a while. This prompted me to focus on Chantal’s sound work in her films and her very close collaboration with cellist, Sonia Wieder-Atherton with whom she made more than 20 films. And, since New York, Paris and Moscow were places the three of us had in common, I intertwined some of my images with hers."