The Brownie and the Mistress

An animated musical love story about a young man who lives inside a billboard and is charged with updating the advertisements. When he falls in love with a beautiful lady living across the highway, he has to use the only method he knows to get his message across - advertising

One of the most exciting and memorable stories in the history of the World Trade Towers is that of Philippe Petit, a French man who walked a tightrope between the massive monuments in 1974. Narrated by Oscar nominee Jake Gyllenhaal, this is an animated adaptation of the lyrical Caldecott Award-winning book by Mordecai Gerstein. Directed and animated by Michael Sporn, with music by Michael Bacon (of the Bacon Brothers).

An animated short about the 75 years of Superman.

Mammy Two-Shoes threatens to throw Tom out of the house if he makes a mess. Jerry sees an opportunity to rid himself of his feline nemesis.

Tom's day at the beach doesn't start out well. First he gets his swimsuit caught in the door of the beach house, and doesn't realize it until his intended dive in the ocean sends him snapping back and crashing through the door. He runs out and tries again. This time he is so determined to jump in the water that when he does so, he doesn't notice the tide is out and that he is swimming in the sand, which is filled with broken bottles, tin cans and other debris. Later, he tries to win over a beautiful girl on the beach, but, being the boor he is, he annoys her by drinking her soda pop, eating her hot dog and munching loudly as he lays his head in her lap. Suddenly, a tomato flies through the air and lands on his head. So does a banana peel. Tom looks for the culprit and finds him in the girl's picnic basket. Jerry is inside, eating what he wants and tossing out the rest...

Mammy Two-Shoes tells Tom and Butch that the cat who gets rid of the icebox-raiding, breadbox-invading mouse (Jerry) is the one who can stay.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Tom's new book on "how to catch a mouse" doesn't prove too helpful against Jerry; actually, Jerry seems to make better use of it than Tom.

Tom is playing with Jerry when a cute lady cat is delivered to Mammy for her to take care of. Tom is smitten at first sight.

The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.

It's spring, and Tom is much more interested in the female cat next door than in Jerry.

Tom fights with another cat over Jerry.

Tom is golfing, but having no success. Jerry insures that remains the case.

Tom chases Jerry into a bottle of invisible ink, and the now-invisible Jerry proceeds to have fun torturing Tom.

Jerry takes a midnight snack from the fridge unaware that Tom is watching him.

Tom invites Toots to an elegant dinner. However, he's made the mistake of trying to put Jerry to work, as a serving boy, a corkscrew, and other tasks. Jerry puts up with a little of this, but mostly gets revenge on Tom.

Jerry runs into a dog pound (and right on top of a napping Spike) to escape a rather mangy-looking Tom. To avoid being ripped to shreds, Tom borrows the head of a nearby dog statue. This easily fools the dogs, but not Jerry, and Tom keeps losing his newfound head...

Tom ties up Spike and sneaks into the courtyard of the glamorous Toodles Galore with his bass, hoping to woo her with his song, much to the annoyance of a sleeping Jerry.

Jerry crashes a vase onto Tom's head, which gets Mammy to throw Tom out. Jerry at first revels in his freedom, but soon tires of this, and, under a flag of truce, hatches a plan with Tom.

Tom subjects Jerry to his usual harassment; but the cat finds a new enemy, and the mouse finds a new friend, in the canary of the house.