Precipice

On the final night of summer, Annie is confronted by a relentless stalker—the embodiment of her deepest childhood fears. When her friends dismiss her concerns, Annie must contend with her anxieties and the unsettling truth.

27. 12. 32. 9. 66. 4. These are numbers. These are names. Six students prepare for graduation from a new kind of training facility. All that remains is one final lesson.

Briggs Sheridan can't chase his gambling-dragon fast enough, and when it looks to cost him more than a few broken limbs, he unwittingly puts more skin in the game than intended.

A neighborhood boy might have the solution to his problems, though. For two silver candlesticks, he promises to give Conrad a rare, vicious, growling and cunning animal with supernatural abilities, which supposedly was coveted in the past by Egyptian pharaohs, Borneo pirates and even Napoleon Bonaparte himself. Eventually the trade is made, Conrad gets the creature.

Stranded by his Star Destroyer, Varko Grey becomes the last TIE pilot on the battlefield, hunted by a renegade X-Wing of the New Republic.

An astrophysicist (Marion) and an extraterrestrial (Thomas) are in love. Tomorrow, they must say goodbye. It's the price they must pay to free Thomas from the horrible affliction he is suffering from on Earth. Thomas will leave our world and return to his planet. Marion accompanies him to the point of no return.

A dimension-traveling wizard gets stuck in the 21st century because cell-phone radiation interferes with his magic. With his home world on the brink of war, he seeks help from a jaded travel agent who he mistakes for a great sorceress. Without his powers to prove his identity, she has trouble taking him seriously, but finally agrees to reveal the secrets of our world in exchange for a lunch date.

A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.

A new augmented reality-game is developed that allows you to create and grow you own pet. But how far are people willing to go to live in a fantasy environment of their own creation?

Aa single father living in the slums of a futuristic dystopia who attempts to illegally escape to an off world colony to prevent his son's illness from becoming fatal.

An aspiring race car driver fights off the recognition that he'll never progress beyond an amateur circuit. On this Saturday night race, however, he puts it all on the line to prove otherwise—at whatever cost.

This anti-smoking public information film has the kind of stylistic sheen often associated with 1980s British advertising, with its sci-fi setting, filtered smoke and gloomy aesthetics clearly inspired by the works of Ridley Scott (although it’s directed by his contemporary, Barry Myers). It imagines a genetically advanced future humanoid who’s evolved to be a ‘natural born smoker’ – complete with enlarged nostrils and tapping finger - before reminding us that no such creature yet exists. While we expect smoking adverts to be disturbing, the titular character is disquieting in a refreshingly unusual sense.

Never assume it's just the house settling.

Rachel is desperate to be seen. Not the way her terminally ill father sees her, and not the way her Church Support Group sees her. Not even the way her mentor, Kathy sees her. Really seen. Newly sober and ready to start her life again, Rachel (Caroline Levien) finds herself back with her father, Glen (Nicholas Hope) and languishing in the role of his primary carer. Lonely and overlooked, Rachel turns to her online persona, 'J@de' and the world of chat-room camming as a place to see and be seen. But Rachel's escapism cannot keep the real world at bay forever. As Glen's illness deteriorates, Rachel's online identity pushes up against her own, bringing her face to face with the ultimate act of exposure.

Jordageddon

A high ranking senior officer is debriefed on a top secret program.

An online 'livecaster' with a dangerous brand has a crisis of conscience over her volatile career choice in a future world where jobs are limited and conflict is currency.

When a new pupil arrives at a comprehensive school, he decides to take his video camera to film the bullies at work.

Na Câmara da Morte (In the Deathroom) is a short film based on Stephen King's short story of the same name. Armando Costa (Gabriel Alsan), a Brazilian journalist stationed in Colombia, is kidnapped by a local militia. During a violent interrogation and various acts of torture, Pablo Escobar (Uriel Martínez) tries to extract information from Armando, while his allies plan his rescue.

A one-shot thriller about a gang leader who refuses to confront the neighbour suddenly blasting music at six in the morning.