Follows 6 people low life junkies & strippers as they battle for survival in the midst of a zombie outbreak in a run town on the outskirts of a city.
An ex-vaudeville actor is working as the assistant to a doctor who has Frankenstein aspirations. The ex-vaudeville actor kills the doctor and decides to assume the identity of the dead physician.
A typical weekend down the shore takes a bizarre turn as six girls and five obnoxious fist-pumpers become the unsuspecting targets of a deranged killer.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
After watching a film, Jane, a young woman, finds herself trapped within the theater, under the haunting gaze of the man who resides there. During her time at the cinema, she discovers the truth of reality - that women face a predatory gaze throughout the course of their lives, and The Gaze captures Jane's journey trying to escape that harsh reality.
Imagine walking down the street and finding an unmarked VHS tape. Curiosity piqued, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair. The devastation of your morals continues throughout the entirety of the footage, while subtly revealing the killer's shattered pasts via the interaction with their victims and each other. The most shockingly realistic portrait of a serial killer's existence is, Fred Vogel's AUGUST UNDERGROUND.
A violent fugitive on the run from the law makes his way from Hong Kong to South Africa, where he discovers that he's immune to the Ebola virus, and later returns home to spread the deadly disease.
A child is lured out of his home, kidnapped and held captive in the small cell in the basement of a church-bunker by three pedophile priests. One night a mysterious visitor opens the cell door and leaves him a sack full of Christmas presents.... The Film was published as a segment of "Deathcember" but was banned from the VOD Releases by the US Publisher in UK and the USA.
Joanna Eberhart comes to the town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
Carter (Benjamin Dunk Kostecki) returns to town to visit some old friends. After he can't find a ride from the bus station, his day begins to unravel.
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
Profoundly scarred and suspected to have committed 27 murders, "Patient 394" takes us deep into her perverted realm of mutilation, suffering and otherworldly guidance.
Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.
Down at the docks a very enterprising but dangerous element is making life miserable for Sheriff Marga. But she is distracted by a series of puzzling kidnappings that is plaguing her parish. Could the culprit be the mysterious Queen - the dance hall queen of the docks? Or could it be an even more sinister figure: The Killer Tarantula?
After her attackers go free, Gaily Morton, the victim of a vicious assault, commits suicide. Her vengeful brother, brilliant robotics engineer and scientist, Dr. Albert Morton, decides to use his skills to enact vengeance, transplanting his sister's brain into a humanoid cyborg with bone-crushing strength and an array of built-in torture devices...
Tulia, a young model is invited to a photographer's country home for what purports to be a quiet weekend retreat - but soon appears to be anything but.
A mad scientist crosses plants with people, and the results wind up in a sideshow.
Jade is a waitress who leaves the greasy-diner business for the excitement of the carnival. She quickly discovers that she despises freaks and human oddities.
Benoit has been driven to voyeurism and impotence due to having a cold, treacherous industrialist as a father and an exhibitionist aunt who constantly parades around nude. Jean-Pierre is a thief. Isabelle is a runaway whose stepfather tried to rape her. When the three cross paths, criminal activity, rape, madness and murder follow in this psycho-drama filled with soft-core sex.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.