War With Words

A Stone Story

Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.

Through the eyes of director Emma Becker, “F*ck It, We Fall” delves into the beauty, oddities, and awkwardness that comes with the fall season..

Whether you’re a devoted disciple looking to relive treasured memories of the GHOST live spectacle or among the curious uninitiated, RITE HERE RITE NOW will put you right there: putting your phones down and living in the moment—as a shadow of uncertainty looms—completely spellbound and in the thrall of this bombastic yet intimate cinematic portrait of GHOST.

In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

Unfolding in a series of eight vignettes, Sound Spring explores the history ofYellow Springs, Ohio over hundreds of years, as narrated by its residents incomical scenes: one interviewee rollerblades and reads the village's water meters, another stands on his head in a breakdancing freeze. The villagers describe American history-their ancestors' settlements after slavery, a friendship with Coretta Scott King, and Ohio's Trail of Tears- among other more personal details of village life. The wording of their recollections is imperfect, unsure-in fact they are all re-stagings of their previous audio interviews. Through performing their own previously recorded media, villagers uncover layers of time and storytelling.

A former leader in the Black Lion Party for International Solidarity shares his story of found family, loss, and transcendence. Shot over the course of two months, this short documentary provides a glimpse into the dynamics of modern American revolutionary movements. Jeremias' film captures a very brief, but important period of transition for the Black Panther Party in the 2020s.

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

Jonathan, the doc's director, standing in front of a mirror recalls an event from his childhood, reflecting on the image he has of himself. To do this, he immerses himself in his past. All of this happens extremely fast, like the duration of a thought and the format of a micro short.

Reila

Water hands is the literal Chinese word for ‘sailor’. The sailor himself remains off-screen in this film, just like the woman who is waiting for him. The tight black-and-white images move through Singapore and Montenegro, while a logic all of its own links the various worlds and narrations.

"Alexander is merging himself with Icaro. Between the Earth and the Sun, a persistent connection that pushes him back and forward in time, and slowly fades inside the sun, as his only reason of living. This and other short films will be part of this merging between Icaro and me, between the past and the future, between our star and Earth".

A short city symphony evocation of present day Mexico City five hundred years after the invasion of the Spanish and the fall of the Aztec city of Tenochtitlan.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Shot instinctively during the evacuation of a family home due to urban renewal, Intervals transforms fragments of domestic rituals and archival images into an intimate essay on memory, loss, and belonging, exploring the gaps between moments, between remembering and disappearance.