Diary of Good Conduct Matashiro: A beautiful bat

Explores the ambiguity of sensations, the boundaries between pleasure and pain, a filmmaker's piece about death as the final fetish and the ritual suicide Seppuku.

The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.

As a result of illness and unemployment, Yamaoka Tatewaki, a "Hatamoto" (or direct vassal of the Shogun), pawned his family heirloom, a valuable Gosu plate for 100 ryo. When, of all occasions, Yokogawa Dewa came to visit and asked to see the Gosu plate on May 5th, Boy's Festival. Yamaoka then sent his steward to borrow the plate back, but the pawnbroker coldheartedly refused. He died soon thereafter of an unknown cause. Soon after that, two warehouses were broken into, but nothing was taken. When Detective Shokichi seeks the help of Young lord samurai, in solving these mysterious crimes that plague the town he takes the case and immediately surmises that the thief was looking for something special. Could the answer be hidden in the coffin of a deceased merchant who had his most valuable things buried with him. The tension mounts and the mystery deepens. Can Young lord solve the case?

Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition--a fight to the death--will take place between the five best shinobi from each village. Gennosuke and Oboro's love is made even more impossible when they each got picked as the leader of the five to represent their respective villages.

Fewer samurai films are being made, and the Uzumasa studio has fallen on hard times. One day, veteran "kirareyaku" (whose job it is to be felled with a sword by a film's star) actor Kamiyama is tasked with teaching sword action techniques to fledgling actress Satsuki. A few years later, the now-retired Kamiyama is visited by Satsuki, who has become a popular star.

Pursued by formidable Chinese assassins, young Kotaro and his dog run into No Name, a mysterious stranger who gets pulled into the chase. The unlikely companions form a bond over saving the dog from a poison attack, but chaos erupts when the assassins find Kotaro, and No Name must face his past before a horrible fate is met again.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Mr. Kobayashi

A group of ruthless gangsters, an unknown woman and an escaped convict have met, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead.

As Japan’s Tokugawa shogunate nears the end of its rule, Edo North Magistrate Toyama no Kinsan is called upon to judge the most difficult case of his career. In a masterfully woven tale, he has to face the truth about his estranged father’s possible involvement in a nefarious plot to take over rule of the Hizen Shimabara clan by assassinating the rightful lord, his son, and install one of Shogun Ienari’s offspring as daimyo.

A tale of friendship, betrayal, and forbidden love—set against the backdrop of Edo’s criminal underworld. While patrolling the Honjo district, the legendary samurai detective Heizo Hasegawa crosses paths with his old dojo friend, Samanosuke Kishii, and a local ruffian, Hikoju of Sagami. When they discover that Ofusa, the woman they both once loved, has been forced into marriage with a corrupt lord, their reunion takes a dark turn. As secrets from their past resurface, a deeper conspiracy tied to their former mentor begins to unravel—one that will test Heizo’s loyalty, honor, and sense of justice.

Jean-Christophe Charbonnier, a specialist on the topic of Japanese warfare, takes us through the implementation of weaponry, armor, and suicide utilized in Ran. He discusses why certain suicides aren't considered hara kiri, as well as what specific items in the suit of armor mean and how they're constructed. He makes use of a suit of armor next to him to further illustrate his points, which helps when he gets more in-depth. It's a lengthy, drawn-out piece, but still insightful.

Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.

In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.

During the Edo period, a gifted swordsman was exiled from his clan when he questioned the misconduct of his leader. Years after, his dying wife wish was for him to go back to his clan.

During the reign of Shogun Hidetada, both Hirate Musashi and Okamoto Musashi strive to become the finest swordsman in the land by defeating the Yagyu clan's top instructors and then taking on Sasaki Kojiro!

Among the many famous 16th-century samurai who made the leap from myth and ukiyo-e to early cinema screen was sword-master Miyamoto Musashi, previously depicted in prints by Kiniyoshi Yoshitoshi and others slaying an array of grotesque creatures including giant bats, giant lizards, and the mythical tengu. This imagery informed his first screen depiction in Miyamoto Musashi Taiji No Ba, which showed him combatting the mythic white ape of the mountains.

A warrior-in-training and his bumbling friends go in pursuit of a stolen sword.

The rise of the famed gambler.