Ataraxia

A writer in self-exile is haunted by the memory of his long-lost love. Mysterious events and an unexpected visitor are about to offer him a chance to relieve his pain. Based on the famous poem of Edgar Allan Poe: The Raven.

An elderly woman finds out by the rumors of her friends that a teenager in her neighborhood has been kicked out of her home for being a lesbian. This triggers a traumatic memory that will reunite her with whom she really is, even if it means loosing her friends.

Territoire Ishkueu Territoire Femme

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

O Guardador de Rebanhos

Documentary about the poet, writer and playwright Hilda Hilst, considered by critics as one of the most important voices of the Portuguese language of the twentieth century. Through the use of personal sound and image files, interviews, meetings and fictional interventions, we will seek the memory and the presence of Hilda Hilst in her daily life at Casa do Sol, the farm where she lived in Campinas.

A film based on an autobiographical prose of the famous Russian poet - Marina Cvetaeva.

A story about a house elf (tomte) preparing the stable for Christmas. Inspired by the famous poem by the Swedish writer Viktor Rydberg.

A lost chapter in black British film: extraordinary rushes from a documentary showcasing talented members of the black community.

Da Lama Ao Caos

Grace lives an idyllic life in a British seaside town, but her world soon comes crashing down when her husband of 29 years tells her he's leaving her for another woman. Through stages of shock, disbelief and anger -- and with support from her son -- Grace ultimately regains her footing while learning it's never too late to be happy.

Poetic stroll in the work of Jean Genet.

Innucadie (festival du conte et de la légende de Natashquan, 1er édition)

Dajung, beloved by teachers and classmates, hides her dream to become an author. One day, Dajung meets a new girl – Seojung, who has won an award at a writing competition in which Dajung had no success. As she gets to know more and more about Seojung, Dajung has mixed feelings of admiration, jealousy, and self-doubt. A school writing competition is coming up. Dajung longs for Seojung’s world.

Reading out loud one poem of Andrés Eloy Blanco, titled “Pleito de amar y querer” (Battle between loving and caring).

Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend Nika Bohinc’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.

A modern reimagining of Edgar Allan Poe's classic poem "The Raven."

Isla Negra: Neruda y el mar

The residents of Ho Chi Minh City face modernization amid widespread poverty. A retired American Marine arrives on a search for his daughter, whom he abandoned at the end of the Vietnam War. Elsewhere, a cyclo driver falls for a troubled prostitute and schemes to raise money so he can spend time with her. Additionally, a young women begins harvesting lotuses for a writer suffering from leprosy, and a child trinket seller loses his traveling case.

This film is dedicated to Mas-Félipe Delavouët, the poet discovered by Lawrence Durrell, who wrote 14,000 verses in Provençal over a period of thirty years, and who died on November 18, 1990. "The sky, history and Mediterranean and Provençal myths are the inexhaustable wellspring of this man rooted down there, near Salon-de-Provence" (J.-D. Pollet). "Mas-Félipe Delavouët wrote five books in Provençal, 14,000 verses. A sort of "Odyssey". Of myths. What is stunning in him is that he always talks of disappearances. Cities, works, men, writings, television, etc., everything has to disappear. In order to be reborn. No pain. A sort of hand-to-hand of man and nature. During the filming, I would simply throw out some words... For example, one time I said "creation" and he said: "creation doesn't exist..., creation is before me..., I can only read creation"; this sentence describes Delavouët perfectly (J.-D. Pollet, 1989 and 1993).