A film about Josef Sudek.
Romy Schneider, face à son destin
The order comes in the summer of 1941 from Propaganda Minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is retraced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards – that is the plan. Only in 1943, the first production is completed: “Armer Hansi”, a 17-minute-long colour movie, realized with the effortful multiplane technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, live action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the Third Reich.
MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.
While a few Hollywood celebrities such as James Stewart and Clark Gable saw combat during World War II, the majority used their talents to rally the American public through bond sales, morale-boosting USO tours, patriotic war dramas and escapist film fare. Comedian David Steinberg plays host for this star-studded, 90-minute documentary, which looks at the way Tinseltown helped the United States' war effort.
Prodigal Korea is a documentary that highlights the cultural divide between the first and second-generation Korean-Americans, particularly in the context of the church. The film showcases the struggles of the second-generation Koreans as they attempt to navigate the cultural expectations of their parents and their own identity crisis as Americans. The documentary features interviews with second-generation Korean-Americans who share their stories of growing up in a culturally traditional Korean family in America. They speak about their struggles to balance the expectations of their parents, who often hold onto traditional Korean values, and their own desire to assimilate and become more American.
A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.
Experimentos con gaseosa
Many members of the Dutch Underground were gay and lesbian. This film pays homage to them and recounts their story.
How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.
September 1st, 1939. Nazi Germany invades Poland. The campaign is fast, cruel and ruthless. In these circumstances, how is it that ordinary German soldiers suddenly became vicious killers, terrorizing the local population? Did everyone turn into something worse than wild animals? The true story of the first World War II offensive that marks in the history of infamy the beginning of a carnage and a historical tragedy.
March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.
Otakar Vávra walks through Prague in front of the camera and with the camera, and remembers those who in the 1930s determined the pulse of the cultural and political life of that time.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
The injustice of the Japanese internment is explored through the story of Kyuichi Nomoto, one of the first Japanese Canadians to graduate from UBC, who suffered a breakdown deep in the BC Interior.
SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
A documentary about a case of police brutality in the 80's NYC, the killing of graffiti artist Michael Stewart
On the buckle of the Bible Belt lies the Oklahoman branch of the ISUPK, an ethnic religious group listed officially as a "hate group." Harry Robinson travelled across the Atlantic to find out what it takes for faith to become hate.
From practicing barefoot on the streets of Lagos to performing on stage in England, twelve year old Anthony Madu leaves his home in Nigeria to study at one of the most prestigious ballet schools in the world. Anthony, who had barely left his neighborhood in Lagos, finds himself thrust into a new world where his wildest dream is suddenly within reach. His journey is a story of extraordinary obstacles, courage, growth, and ultimately, his search for belonging.