When two kleptomaniacs (including the brides’ father) and two actual thieves all attend a double wedding their light fingers cause no end of trouble for the mother of the brides to a dizzying degree!
Heiress Rhoda Canby is badgered by her eccentric relatives Uncle Silas, Aunt Elizabeth, and Cousin Hepzibah. She falls in love with writer Irving Mason, who believes Rhoda to be the heiress' secretary, and courts her as chauffeur "Henry Smith." Accompanied by her African-American nurse Aunt Chloe, Rhoda runs away from home. Irving, meanwhile, is abducted. Upon reading of the supposed suicide of Irving Mason, Rhoda assumes the role of widow and visits his hometown. There she is befriended by Irving's uncles and goes to work in the family's general store. Irving escapes his captors and surreptitiously returns home, but is surprised to find himself presumed dead and Rhoda his widow. When the family store catches fire and Irving saves Rhoda, their true identities are revealed, after which they are married.
Because of the circumstances of her parents' marriage her grandfather rejects their child, Mary. Following her their deaths she is placed in an orphanage where Mary finds hardship.
A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.
Identical orphaned twins Rosalie (Mollie King) and Susan (Mollie King), are adopted by two aunts and live in separate households. Susan develops as a poor, wholesome farm girl, and Rosalie becomes a wealthy snob. Susan's beau, Ted Harper (Creighton Hale), confuses the girls' identities, but Susan wins his love after preventing Rosalie from eloping with scoundrel "Slick" Harry Ives (Jerome Lawler).
Gertie Jones, known among other thieves as "The Chatterbox" because she talks to herself while she works, becomes a rich woman's French maid after learning about her employer's $40,000 diamond necklace. To cover up the scratches left by her tools after she unsuccessfully tries to open the safe containing the necklace, Gertie telephones the police to report an attempted burglary. Jimmy Hartigan, a famous thief, arrives and after he and Gertie fall in love at first sight, he is arrested.
Ann, a 19-year-old girl who looks much younger, meets a dashing army major on a boat sailing from Liverpool to Bombay, India, and falls in love with him. Her love appears to be unrequited, though, because the major thinks she is far too young--and also, unknown to her, because he had once been in love with her mother. When a fellow passenger on the ship takes advantage of the naive girl the major comes to her rescue, but in the process the girl finds out about the past relationship between he and her mother.
Heiress Mary Anderson feigns poverty during her romance with struggling artist Bruce Haldeman, however her status-conscious mother puts an end to the affair. Mary secretly goes to Bruce's studio, misconstrues the situation with one of his models and tells Bruce she hates him. Upset Bruce wants to destroy his portrait of Mary, but the model stops him, enters the painting in an art contest, and explains the mix-up to Mary's father. Mr. Anderson then meets with Bruce and Mary's persistent suitor Smythe Addison pretending he has lost his fortune. Smythe quickly drops out of contention for Mary's hand, but Bruce remains eager. Resolving their differences Bruce finds out during the planning of the wedding that he has won the art contest, finding overnight fame as a painter.
Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
Young marrieds Paul, the Viscount De Sallure, and his bride Florence are in financial straits. Florence’s inheritance is available to her only if she separates from her husband so the pair concoct a scheme to give that appearance. Problems emerage when Paul seems to be taken the ploy to heart with Mlle. Fifi but all turns out well in the end.
Two couples with mismatched mates find new romance blooming in the Bavarian countryside.
Perpetua is a rich little orphan with a kind but absent-minded dreamer of a guardian, Thaddeus, who is very much older than herself. Perpetua wants to live in Thaddeus's house but instead is sent to her eccentric animal loving Aunt's, Miss Majerdie. Unhappy Perpetua runs away to Thaddeus’s. He endures her for a time and finally ships her back to his Aunt Majerdie's. Pursued by several suitors whose ardor cools when the rumor goes round that she is penniless. Her wealth having intimidated him before Thaddeus steps in now and declares his love for her.
Betty Brown is an egregious coquette and flirt. She fools a pair of lovers, and her indecision lands her in a pretty mess at a Hartford hotel, where she is cajoled into passing herself off as the wife of a man whose real wife is on her way to meet him. Betty just butts into a sea of trouble, for the man and his wife are to receive some money from the former's uncle on condition that the wife meets with his approval. The general mix-up at the hotel caused by the meeting there of all these opposing interests is the cause of a great deal of fun and confusion, the central figure of which is always Little Miss Betty Brown.
When a secretary overhears her boss disparaging her looks, she decides to show him how wrong he is.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Directed by Max Urban.
Hoping to elope, farmer's daughter Myrtle Fairley and her beau Jack Holt are forced to return home after finding the minister not at home. Upon arrival they discover a pair of incompetent safe crackers trying to force Mr. Fairley to give up his money, leading to a tense resolution.
A group of stenographers decide to host a ball and invite their boss, Mr. Hadley, as the guest of honor. The plot revolves around a mix-up involving masquerade costumes.
To trick a judge who's trying him on a gambling charge, Leon poses as a famous British explorer.
This ceremony requires greenbacks but the groom came up short.